Archive for the ‘fashion’ Category

On Redang now…

Saturday, July 24th, 2010

Redang…beautiful white sand between my toes & clearest blue waters too. Mmm….

 

AND relaxing after finishing my first dive of the year, after I got certified last July. Saw a hawksbill turtle, a dead hawksbill turtle, and a huge blue-spotted ray :) Had to surface as I was cramping and my fins dropped off two times, though, and my sinuses are not feeling all that great. We’ll see if I can continue diving tomorrow…

I’m with a fun bunch of people, who’re much more experienced divers. I’ve only logged six dives, while the rest of them have at least 30 under their belt.

Am pretty rusty when it comes to buoyancy, and I’d even forgotten how to put the gear together…but as with driving and other hands-on skills, it’s by doing that we learn. I adore the feeling of weightlessness under water. It’s so good to just float along, with zero gravity.

Would love to get S and DS and JC and the rest of the divers out, but everybody seems to be busy with work or are injured. LT is interested in learning, though, and I’m very enthused about having another potential buddy.

And gearing up…a pair of fins, booties and a mesh bag is the next step, with a BCD eventually…will want to try out other people’s gear when I go on course. A regulator, I’m not so sure. A dive computer can wait as well, though it may well be my next watch. C has a Swatch watch that goes up to 200m and doesn’t cost that much. I think there’s a huge market for pretty girls’ dive logs, dive computers, gear bags (come on, why are they all in uniform IBM black), und so weiter. I chose my Beuchat wetsuit because it’s edged in pink, and the Tusa snorkel and mask strap cos they come in pink as well. Maybe we can have little dolphins and Nemos with flowers all over our stuff… :)

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From Writer’s Almanac.

This is why I like KFC actually, it lets me share meals with my Muslim friends. I get a bit sick of fried food all the time…I actually (secretly) like YTF despite bitching about it all the time. Hey, I am Hakka.

Perhaps the World Ends Here
by Joy Harjo

The world begins at a kitchen table. No matter what,
we must eat to live.
The gifts of earth are brought and prepared, set on the
table so it has been since creation, and it will go on.
We chase chickens or dogs away from it. Babies teethe
at the corners. They scrape their knees under it.
It is here that children are given instructions on what
it means to be human. We make men at it,
we make women.
At this table we gossip, recall enemies and the ghosts
of lovers.
Our dreams drink coffee with us as they put their arms
around our children. They laugh with us at our poor
falling-down selves and as we put ourselves back
together once again at the table.
This table has been a house in the rain, an umbrella
in the sun.
Wars have begun and ended at this table. It is a place
to hide in the shadow of terror. A place to celebrate
the terrible victory.
We have given birth on this table, and have prepared
our parents for burial here.
At this table we sing with joy, with sorrow.
We pray of suffering and remorse.
We give thanks.
Perhaps the world will end at the kitchen table,
while we are laughing and crying,
eating of the last sweet bite.

“Perhaps the World Ends Here” by Joy Harjo, from Reinventing the Enemy’s Language. © W.W. Norton and Co., 1998. Reprinted with permission.

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A (at the buffet): She’s going Western style, course by course.
B: I’m going Ethiopian style as I don’t want to vomit underwater.
C: I’m going garbage style: Everything also goes in.

A: So we were in the army and this guy I knew was quite pampered at home. So he put stones in his pocket or something to march for three hours and ended up going to see the medic with huge bruises and abrasions on his thighs. He got out of heavy marching for days after that…
D: Wow, that’s smart.
A: This guy is quiet but he’s good. There he is. (points to E)
E smiles.
A: To this day we’re not sure what exactly he did. We’re just guessing it’s stones.

I mean I want to see

Monday, July 12th, 2010

“The unreal is more powerful than the real. Because nothing is as perfect as you can imagine it. Because its only intangible ideas, concepts, beliefs, fantasies that last. Stone crumbles. Wood rots. People, well, they die. But things as fragile as a thought, a dream, a legend, they can go on and on. If you can change the way people think. The way they see themselves. The way they see the world. You can change the way people live their lives. That’s the only lasting thing you can create.”

– Chuck Palahniuk

From this blog. This man sounds like such a lovely man. In Vienna.

He reminds me of why teachers in Asia are my favourite people. I love the Princeton programme…I met some of his friends on my trip through Laos, and they remind me of X. Educators *are* my favourite people. The people I met are friendly, easy-going, empathetic, and intelligent and hungry and funny.

I hope you find your harbour. I hope you find your sanctuary. I hope you find your heart’s home. God bless, god speed, and bon voyage. If you want to stay where you are and sleep all day, I think that’s perfectly fine too. :) That’s how dreams are made, you know.

That reminds me, I have to go read The White Tiger. Mmm…reading. You adult readers can go and watch football and surf for porn and watch TV if you want. Just remember to stay clean, go slow, and relax. :)

I think Singapore’s the best place for that, actually.

Parisian bookstore

Monday, May 17th, 2010

Liu Wen looking out of a window

 

Books. Reminds me of Shakespeare & Co.

 

Great composition by the photog

 

She’s got a beautiful profile, hasn’t she?

 

LOVELY shoot, photos from here.

Eye candy

Sunday, May 2nd, 2010

 

 

I LIKE Tao Okamoto’s look in this editorial.

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Images from here

 

& my oh my what a gorgeous ad series by Shanghai Tang, with great art direction.

Eyecandy

Monday, February 22nd, 2010

Cranes…That’s not me in the pictures. Imagine someone pudgier with a bigger butt, and badly-cut shoulder length hair. That’ll be me.

Flapper

Japanese weave. Photos: Antipodean

PRETTY dresses make me happy…I don’t shop all that often; when I do, I go for pieces that suit my style. Am very happy with the haul today! :)

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I’m very glad for the lessons I’ve taken in these six years since graduation. For one, money is not important to me. I’ve seen how it breeds dens of vipers. When you’re out with certain people you can see how they judge social value. What firm do you work for? What do you do? What does your father do? Which bank is he in? Which school did he go to? What does her husband do?

I say bullshit to all of that. Character is judged by what a person does…over CNY we talked of how someone’s father had died and she’s helping to take care of the mother and how the burden of care often falls upon certain children or grandchildren in the family when others “default”. One of my best friends has a sick grandmother and father to take care of at home, and she shows up again and again, day after day, with patience and fortitude. These are the people I admire, the people who matter to me, not so much the materialistic braying yock-yocks.

At some point I pity them too, for I’ve friends caught up in the cycle — but I’ve learnt to distance myself from the users. You’re able, you’re ambitious, you’ve the brains, yes. But you’re also fucking self-serving, and desperately insecure.

To a certain extent it’s encouraged by the Government throwing wads of money at us. I say: Bullshit to that. Bullshit to carrots and sticks. Bullshit to binary distinctions between fear and love. Bullshit to the black-and-white thinking that critics must be exocet-missiled and obliterated. And really, fuck the fear of the ISD — I’m pretty sure I do worse things to myself with my finely-honed sleep-deprivation techniques that I’ve developed since I was an angsty teen.

Some things are non-negotiable, and you can never buy a sense of public service, or my sense of integrity, of who I am as a person. So here is *my* manifesto: I won’t ever be a running dog of those in power, who seek to intimidate with power, who use all means to hold on to power. I spit upon the wads of cash you think will solve all problems. Tennis courts, Mercedes Benzes, plastic surgery for your wives, cocktail parties for your husbands, oh yes I can play the game, but please have the common sense and decency to see it all for what it’s worth: It’s just a game. Don’t take your bourg lifestyle so fucking seriously. As the Chinese say, na de qi, fang de xia. (Sorry folks, haven’t sorted out my Chinese input software yet.) And David Marshall once said in an interview that justice “is a meld of law and humanity. Decency in concepts”. What I see is worship of the Golden Calf. What I see is seeking of vengeance. What I see is insecurity at work — hence the need to seek to try to control others.

Am reading LKY: The Man And His Ideas again…there’s lots to admire. But what I take umbrage against is the idea of treating human beings like dogs, like things to be trained, like you can jerk a leash and jolt them and get Pavlovian instinctual behaviour. It goes against everything I stand for. From Timothy Radcliffe’s What Is The Point Of Being A Christian:

However, if denunciation and accusation become the main way in which human beings view each other, then we shall indeed be sucked into untruthfulness. Sometimes we must accuse, but we cannot do that until we have first seen the goodness of the other person. Good people do bad things. In this mistrustful and suspicious society we need a different sort of press, freed from its Enlightenment limitations. We need a different sort of political debate, where the goal is not to trash one’s opponents but to arrive at a shared understanding of the common good.

I don’t think I can change all what I see as wrong in this society, but I can be sure that I won’t let these things change *me*. As JJG says:

Belle, on ira
Et l’ombre ne nous rattrapera peut-être pas
On ne changera pas le monde
Mais il nous changera pas

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Modern Declaration
by Edna St. Vincent Millay

I, having loved ever since I was a child a few things, never having wavered
In these affections; never through shyness in the houses of the
rich or in the presence of clergymen having denied these loves;
Never when worked upon by cynics like chiropractors having
grunted or clicked a vertebra to the discredit of those loves;
Never when anxious to land a job having diminished them by a
conniving smile; or when befuddled by drink
Jeered at them through heartache or lazily fondled the fingers of
their alert enemies; declare

That I shall love you always.
No matter what party is in power;
No matter what temporarily expedient combination of allied
interests wins the war;
Shall love you always.

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The Queen And The Soldier
Lyrics by Suzanne Vega

The soldier came knocking upon the queen’s door
He said, “I am not fighting for you any more”
The queen knew she’d seen his face someplace before
And slowly she let him inside.

He said, “I’ve watched your palace up here on the hill
And I’ve wondered who’s the woman for whom we all kill
But I am leaving tomorrow and you can do what you will
Only first I am asking you why.”

Down in the long narrow hall he was led
Into her rooms with her tapestries red
And she never once took the crown from her head
She asked him there to sit down.

He said, “I see you now, and you are so very young
But I’ve seen more battles lost than I have battles won
And I’ve got this intuition, says it’s all for your fun
And now will you tell me why?”

The young queen, she fixed him with an arrogant eye
She said, “You won’t understand, and you may as well not try”
But her face was a child’s, and he thought she would cry
But she closed herself up like a fan.

And she said, “I’ve swallowed a secret burning thread
It cuts me inside, and often I’ve bled”
He laid his hand then on top of her head
And he bowed her down to the ground.

“Tell me how hungry are you? How weak you must feel
As you are living here alone, and you are never revealed
But I won’t march again on your battlefield”
And he took her to the window to see.

And the sun, it was gold, though the sky, it was gray
And she wanted more than she ever could say
But she knew how it frightened her, and she turned away
And would not look at his face again.

And he said, “I want to live as an honest man
To get all I deserve and to give all I can
And to love a young woman who I don’t understand
Your highness, your ways are very strange.”

But the crown, it had fallen, and she thought she would break
And she stood there, ashamed of the way her heart ached
She took him to the doorstep and she asked him to wait
She would only be a moment inside.

Out in the distance her order was heard
And the soldier was killed, still waiting for her word
And while the queen went on strangeling in the solitude she preferred
The battle continued on

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Two Tramps In Mud Time
by Robert Frost

Out of the mud two strangers came
And caught me splitting wood in the yard,
And one of them put me off my aim
By hailing cheerily “Hit them hard!”
I knew pretty well why he had dropped behind
And let the other go on a way.
I knew pretty well what he had in mind:
He wanted to take my job for pay.

Good blocks of oak it was I split,
As large around as the chopping block;
And every piece I squarely hit
Fell splinterless as a cloven rock.
The blows that a life of self-control
Spares to strike for the common good,
That day, giving a loose my soul,
I spent on the unimportant wood.

The sun was warm but the wind was chill.
You know how it is with an April day
When the sun is out and the wind is still,
You’re one month on in the middle of May.
But if you so much as dare to speak,
A cloud comes over the sunlit arch,
A wind comes off a frozen peak,
And you’re two months back in the middle of March.

A bluebird comes tenderly up to alight
And turns to the wind to unruffle a plume,
His song so pitched as not to excite
A single flower as yet to bloom.
It is snowing a flake; and he half knew
Winter was only playing possum.
Except in color he isn’t blue,
But he wouldn’t advise a thing to blossom.

The water for which we may have to look
In summertime with a witching wand,
In every wheelrut’s now a brook,
In every print of a hoof a pond.
Be glad of water, but don’t forget
The lurking frost in the earth beneath
That will steal forth after the sun is set
And show on the water its crystal teeth.

The time when most I loved my task
The two must make me love it more
By coming with what they came to ask.
You’d think I never had felt before
The weight of an ax-head poised aloft,
The grip of earth on outspread feet,
The life of muscles rocking soft
And smooth and moist in vernal heat.

Out of the wood two hulking tramps
(From sleeping God knows where last night,
But not long since in the lumber camps).
They thought all chopping was theirs of right.
Men of the woods and lumberjacks,
The judged me by their appropriate tool.
Except as a fellow handled an ax
They had no way of knowing a fool.

Nothing on either side was said.
They knew they had but to stay their stay
And all their logic would fill my head:
As that I had no right to play
With what was another man’s work for gain.
My right might be love but theirs was need.
And where the two exist in twain
Theirs was the better right–agreed.

But yield who will to their separation,
My object in living is to unite
My avocation and my vocation
As my two eyes make one in sight.
Only where love and need are one,
And the work is play for mortal stakes,
Is the deed ever really done
For Heaven and the future’s sakes.

Play & suggestibility

Friday, September 4th, 2009

Giordano window display

 

If you like poetry, let it be first rate.

Humans, who spend at least a fifth of their lives in childhood and adolescence, are uniquely playful and exploratory animals. When young, we run out into the world, regard and grapple with what we find, and absorb into our lives that which we have newly seen or felt. The freshness of these experiences lingers and insinuates….

A child is impressionable by nature, and made more lastingly so through play. Studies of children find that memory is sharper as a result of playing and that play increases performance on a variety of measures of intelligence. In many respects, as Bernd Heinrich suggests in his study of ravens, play is quite similar to the workings of intelligence. It is, Heinrich writes, “an acting out of options, among which the best can then be chosen, strengthened, or facilitated in the future”. But whereas the manouverings of intellect are abstract, in play the options are played out overtly. Play, a substantial body of research has shown, promotes flexibility in children’s thinking and behaviour, much as it appears to increase the behavioural options available to other young animals. The playwright James Barrie expressed a similar idea in a letter he wrote to the boys who had been his inspiration for Peter Pan. “One by one,” he said, “as you swing monkey-wise from branch to branch in the wood of make-believe, you reached the tree of knowledge…

The more playful the child, psychologists find, the more creativity he or she is likely to demonstrate. Highly creative children and adolescents are far more playful than their highly intelligent but less creative peers. Play appears to exert a particularly strong effect on children’s ability to produce flexible and original associations when they are shown an object or placed in a new setting. The level of elation affects the imaginativeness of play. The more joyful and exuberant the child is while playing, the more creative the structure and content of the play itself.1

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If any patient is subjected to repeated abreaction on the couch, as in psychoanalysis and other more intensive forms of psychotherapy, and if this occurs over a period of months or years, he often becomes increasingly sensitive and suggestible to the therapist’s suggestions and interpretations of symptoms. A hypnoid state of brain activity may result. Patients may come to feel that in some way they are in the hands of a person of almost divine wisdom; they avidly accept suggestions from the therapist without altering their behaviour, which would have been quite unacceptable to them in their more normal state of mind. Quite bizarre interpretations are accepted and false memories are believed as facts if they fit in with the analyst’s own beliefs…

It is not the mentally ill but ordinary normal people who are most susceptible to “brainwashing”, “conversion”, “possession”, “the crisis”, or whatever you wish to call it, and who in their hundreds or thousands or millions fall readily under the spell of the demagogue or the revivalist, the witch-doctor or the pop group, the priest or the psychiatrist, or even in less extreme ways to the propagandist or the advertiser. At the root of this all too common human experience is a state of heightened suggestibility, of openness to ideas and exhortations, which is characteristic of subjects under hypnosis. 2

 

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1 Jameson, Kay Redfield, Exuberance: The Passion For Life. New York: Vintage, 2005. ISBN: 978-0-375-70148-1

2 Sargant, William, The Mind Possessed: From Ecstasy To Exorcism. London: Pan Books, 1973. ISBN: 0-330-24347-0. An interesting study on trances and possession — by demons, gods, drugs, sex or religion — and the states of mind that make people susceptible.

Reflex actions

Saturday, August 29th, 2009

We speak of fear as an emotion, but actually it operates more like a reflex action, with immediate physiological effects. Muscles tense up and contract involuntarily, often increasing pressure on damaged nerves and producing more pain. Blood pressure changes too, and we may go pale, or flush red. A very frightened person may even experience vascular collapse and faint. All animals sense fear — even an amoeba flees heat and pain — but humans seem especially susceptible. A spastic colon, for example, a common sign of human anxiety, is virtually unknown in other species.

- Yancey: Where Is God When It Hurts.

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From my friend Yvette:

Haftarat ki tetze–shul drasha at Ramat Orah 5769
Hari ini pada pukul 3.43 pagi

Tonight, I would like to speak about haftarat ki tetze which begins “rina akara lo yaladah, pitzchi rina v’tzahali lo chalah.” רָנִּי עֲקָרָה, לֹא יָלָדָה; פִּצְחִי רִנָּה וְצַהֲלִי לֹא-חָלָה, There are two main sections in the haftarah. The first is from Isa 54: 1-8, which describes a barren woman, a humiliated wife, a widow–one whom God has forsaken. The second one describes the oath that God makes to Israel–”ki mei noach zot li, asher nishbati me-avor mei noach od al ha-aretz ken nishbati mikzof alayich u’mi-g’ar bach”. כִּי-מֵי נֹחַ, זֹאת לִי, אֲשֶׁר נִשְׁבַּעְתִּי מֵעֲבֹר מֵי-נֹחַ עוֹד, עַל-הָאָרֶץ–כֵּן נִשְׁבַּעְתִּי מִקְּצֹף עָלַיִךְ, וּמִגְּעָר-בָּךְ

The mefarshim pretty much agree that the abandoned woman described in this passage is Israel in galut. She is commanded to spread out and stretch her tents–when God comforts Israel, He comforts her as a woman who has never had children and who has been abandoned by her husband. “b’rega katon azavtich”–God is doing the forsaking here. Or perhaps God is putting the responsibility of the estrangement upon Himself, which is a slightly different matter.

When Israel is compared to a childless woman and told to expect her offspring to inhabit the nations, we imagine the Israel in this haftarah to be isolated and self contained. In the midst of this, Israel is told to prepare herself to break out of her mourning and isolation, and to prepare for a new relationship with God, with the world at large.

This prophesy was uttered before the building of the Second Temple, and some people during that era may have known of these prophesies of hope. Many years after this prophesy, God tells Haggai that He is angry because His people are dwelling in paneled homes while His temple remained unbuilt. Even after the temple was built, there were things that were missing that were there during the first temple–most strikingly, God’s presence and the manifest relationship He had with His people during the first Temple. Never mind about breaking out–the Jews as a whole were not even united enough to be isolationist as a people. Needless to say, this Temple did not last. Yet in spite of its imperfections, the loss of the Temple was devastating to religious life. The mefarshim agree that this grief that is described in this section refers to the pain that was experienced in galut, and we can definitely agree that this prophesy was not fulfilled in Ezra’s day or in ours.

The next section describes God’s promise to be like that which he made to Noach. “ki mei noach zot li” –just like the waters of Noach, this is to me–what is “this”? “asher nishbati me-avor mei noach od al ha-aretz ken nishbati mikzof alayich u’mi-g’ar bach” “As I have sworn never to pass the waters of Noach again over the earth, so I have sworn not to be wrathful with you or to rebuke you”. This punishment and rebuke is paralleled with the devastation of mei noach.

In the Torah’s description of the flood, the word “mabul” is used, not “mei noach”. In parshat Noach, the commentators debate about what the text means when it describes Noach as “ish tzadik tamim haya b’dorotav” — “a righteous man perfect in his generation.” — there is a view that the qualifier “b’dorotav” referred to his isolationist tendencies — that according to the text, there was no attempt to save anyone else but himself and his family, in comparison to Avraham, who pleaded for God’s mercy upon Sodom. Hence mei Noach could have been used as a term of rebuke to Noach, where the destruction might not have been this complete had Noach attempted to intercede with God. Mei Noach could also refer to the fact that after the mabul, everyone existing was basically the offspring of Noach. He set the stage for a new earth, with all this merits and foibles.

This parellelism between the removal of God’s presence and mei Noach also has implications for the parallel drawn between the covenant between God and Noach, and the covenant between God and Israel in this haftarah. Noach’s descendants populated the earth–yet God’s relationship with people became more and more restricted to a particular subset of people. Considering that this covenant was made between God and Israel, this number is really small today. The prophesy seems to imply that the isolation of this relationship will one day be reversed, and Israel’s offspring will populate the earth and hopefully bring their relationship with God with them, bringing blessing, ironically when we are out of galut, in Israel, and have a centralized Jerusalem Temple.

Secondly, the result of this devastation meant that the remnant of the hurban would be the seeds of the generations that would create this redemptive environment described in this haftarah. Just as Noach’s relatively small number of descendants populated the planet and endured, the remnants of the hurban basically determined what Rabbinic Judaism was today. Unlike the remnants of mei Noach, we do not know why certain ideas or people were chosen to endure. But we do know that the Talmud Bavli and the Yerushalmi, redacted about 4-6 th century CE created the basis of how we try to live out our lives today. In some sense, the text is isolationist though some ideas are universal. Even the language of the text is read by a relatively small number of Jews these days. The haftarah promises that when God returns His relationship to Israel, this will be reversed and indeed in next week’s haftarah, we will be a light to the nations. We don’t exactly know how this will be accomplished. But we pick ourselves up after 9 Av, and work towards pleading for a good verdict for Israel and for the world during the upcoming weeks.

The shiva d’nechamta remind us every year that it’s never too late to try. The haftarot progressively get more and more universalistic. This comparison of the lack of a living covenant with the devastation of mei noach is not accidental. It is a challenge to us to take hold of the little that remains to us out of all the devastation, and what we can learn from those around us–and make some order out of the chaos of religious life today. In some sense, God is still forsaking us–and Jews of all stripes are trying in their own ways to maintain and bring back the relationship. As much as we are confused by this loss and as much as we have failed every year–it is up to each of us to figure out, in our religious and intellectual traditions, how to make some sense of this and how to create a more solid foundation for ourselves and for others to try again.

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Tolstoy has told us more about himself and his views and attitudes than any other Russian, more, almost, than any other European writer; nor can his art be called obscure in any normal sense: His universe has no dark corners, his stories are luminous with the light of day; he has explained them and himself, and argued about them more articulately and with greater force and sanity and lucidity than any other writer. Is he a fox or a hedgehog? What are we to say? Why is the answer so curiously difficult to find? Does he resemble Shakespeare or Pushkin more than Dante or Doestoevsky? Or is he wholy unlike ether, and is the question therefore unanswerable because it is absurd? What is the mysterious obstacle with which our inquiry seems faced?

- Isaiah Berlin, The Hedgehog And The Fox

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Photos: Annie Leibovitz for Vanity Fair

So hungry! Feel like murtabak/sausage mcmuffin/prata/something nice and fried that won’t do my skin in too much. Speaking of skin, check out this fashion spread in Vanity Fair.

Fresh Air Fund

Saturday, July 11th, 2009

Hi,

The Fresh Air Fund is looking for runners and sponsors to join our Fresh Air Fund-Racers team for the NYC Half-Marathon on August 16th. I thought you would be interested in helping out by posting a mention of this exciting news on I Mean I Want To See.. This is a great way to participate in NYC’s premier summer road race while helping Fresh Air Fund children. Please feel free to repost anything from our site here:

http://freshair.org/racers

Last summer’s NYC Half-Marathon was a huge success and the Fresh Air Fund-Racers raised more than $125,000. We are also still in need of Friendly Town hosts for next month. Host families open their hearts and home to a NYC child who would not otherwise have the opportunity to escape the hot, crowded city streets. Please let me know if you are able to post or have any questions, and if you could send me the link that would be fantastic.

Thank you so much…


GOT
this in the mail…it’s a worthy cause, so you East Coast folk, get out those running shoes! :)

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And speaking of fresh air, what a beautifully-styled shot by Giovanna Battaglia:

 

 

 

 

 

 

 

 

 

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This series is wonderful too:

 

 

 

 

 

 

 

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Things like these: sunsets, walks, trees in bloom, laughter, music. You look around and there’s the mark of an artist’s hand, generous and lavish.

Beauty speaks. Oxford Bishop Richard Harries wrote: “It is the beauty of the created order which gives an answer to our questionings about God.” It speaks of the glory and wonder of life. Think about it — elephants, caterpillars, flamingos, tigers, coral reefs — how achingly fantastic all of it is. A teacher in the inner city explained why he insisted on putting a fountain and flowers in the courtyard of the building: “Because these children need to be inspired. They need to know that life can be better.”

And it nourishes and comforts — that’s why we send flowers to friends who are grieving, when words of counsel can only do so much. It helps us face the wounds of our life, and it invites us back to presence, to life. It’s like the sun in the Aesop’s tale of the North Wind and the Sun —

The North Wind boasted of great strength. The Sun argued that there was great power in gentleness.

“We shall have a contest,” said the Sun.

Far below, a man traveled a winding road. He was wearing a warm winter coat. “As a test of strength,” said the Sun, “Let us see which of us can take the coat off of that man.” “It will be quite simple for me to force him to remove his coat,” bragged the Wind. The Wind blew so hard, the birds clung to the trees. The world was filled with dust and leaves. But the harder the wind blew down the road, the tighter the shivering man clung to his coat.

Then, the Sun came out from behind a cloud. Sun warmed the air and the frosty ground. The man on the road unbuttoned his coat. The sun grew slowly brighter and brighter. Soon the man felt so hot, he took off his coat and sat down in a shady spot.

“How did you do that?” said the Wind. “It was easy,” said the Sun, “I lit the day. Through gentleness I got my way.”

You see beauty in people who are truly present and open every time you’re with them. Beauty doesn’t diminish with time, it deepens and increases. I see it in people with a depth and quality of soul that can only be attained through living many years well — nurturing and guarding the right things, with time to put down deep roots. There’s really not much to fear in growing old…

Cotton dresses, parma ham

Friday, April 24th, 2009

frock

New dress

THE weather’s been so warm lately, and this frock is perfect for the blazing heat! I love the breezy fabric and the cut, the neckline goes well with a delicate gold and diamond necklace, and it’s oh so flattering. :)

frock

Old dress

Have been wearing light cotton dresses such as the one above quite a lot.


prosciutto and rocket

Prosciutto and rocket

And ooh, lazy evenings out with friends by the pool…One of the easiest things to bring to potlucks is parma-wrapped melon — just hold the babies together with toothpicks and you get an easy, yummy appetiser. You can also wrap the ham around bundles of asparagus or rocket for variety…or make little foccacia sandwiches with basil and ricotta cheese…mmm.

Maintenant je suis un peu paresseux, et non le négatif paresseux, paresseux, mais dans le sens que je suis fatigué et je veux arrêter, de la réflexion et de repos.

Délicieuse!

Saturday, April 11th, 2009

Delicieuse

From Vogue Korea

Delicieuse

Kate Spade ad

Delicieuse

From Vogue Korea

LUSCIOUS photos. Thank god for frivolous, delightful things like candy colours, butterflies, and impractical shoes.

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I’d neglected my main site for the longest time (other than regularly updating the list of books read), but I’ve put up a couple of new recipes and a page on calligraphy. This website’s been a fun project since I started it two years back to teach myself to handcode HTML. And oh, I’ve met such delightful people through it as well! :)

Killer heels killing me

Tuesday, March 17th, 2009

pretty but deadly

Photo as requested by Anais

SO I have this pair of shoes, covered with pleated silk fabric in the richest purples and browns on white, that I always get complimented on, but they KILL my feet. Am just nursing the dozen blisters and wounds I got — I didn’t know wounds from blisters could go so deep into the flesh — it’s different when you’re driven everywhere and when you’re a public transport hoi polloi like me and have to walk everywhere. Ah well.

Gorgeous fashion editorial

Friday, January 23rd, 2009

No idea which magazine they come from, but I saw these photos at this site which I visit once in a while. Xiaoyi Dai looks spectacular, and the shoot is very well-styled.

Fashion critique

Monday, December 29th, 2008

(B shows A a white wrap dress with big rose-flower-and-leaf print)
A: It’s nice!…If you’re 8. Or 80.
B: HATE YOU.

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J’observe X et ses mani�res un peu voyantes, ses tentatives de r�tablissement � l’ordre des femmes ou du d�sir inspir�. Mais surtout, ce verbiage! Tous ces mots! Sinon gens charmants, bons moments, repas superbe.

Things learnt today

Friday, November 21st, 2008

- To make orchids bloom again, you’ve to “stress” them by not watering or feeding them so often. If they get too comfortable they become “complacent” and just keep sprouting leaves.

- “Tubing” down a river involves sitting on a tyre with beer in hand.

- Laotian vegetables are very sweet, and Laotion people, dogs and mosquitoes (”easier to kill”) are laid-back and live life seemingly in slow motion. Laotian coffee is also very yummy, but is not available for export.

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You must learn now, that the important lesson - as long as you have your health - is that the divide is not between the servants and the served, between the leisured and the workers, but between those who are interested in the world and its multiplicity of forms and forces, and those who merely subsist, worrying and yawning.

– Christ In The House Of Martha And Mary, A.S. Byatt

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Fashion critique: “It looks like a fabric morgue.”

On Chinese proverbs and breasts (don’t ask): “Hi, I’m a sparrow. I’m so small that I don’t have space for a liver. Or a brain….Hi, I’m an Asian woman, I’m so small that I don’t come with breasts.”

Gorgeousness

Sunday, November 16th, 2008

Photos from here

I’VE always been blown away by the work of Wing Shya. He’s a Hong Kong based photographer who is best known as the exclusive still photographer and graphic designer for director Wong Kar-wai’s films and projects. You can just feel the themes of time, memory, nostalgia, missed connections, and melancholy in his work.

His fashion editorial work — see above — is also absolutely stunning. I’m wiping the drool off my keyboard. The light and the placing of the figures remind me of Hopper and Vetriano.

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I’m so excited! For my Pacino/Marlon Brando kick: Got Dog Day Afternoon, On The Waterfront, Streetcar Named Desire videos!!! And listening to David Brubeck, and am blown away by the musicality, the joy, the beauty of his music. Everyone has to go listen to Take Five — the tempo shifts, counterpoint, everything. Thelonious Monk, too. Genius.

I love project runway

Saturday, October 11th, 2008

“That looked like Comme des Garcons goes to the Amish country.”
- Michael Kors, Project Runway, S3-8.

Models

Thursday, October 2nd, 2008

heart

Picture source: Vogue

A: “Physicists do it with beautiful models.”
B: “Only on paper, darling.”

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A good interview that explains the financial crisis well. And an article on income inequality. Also, an interview with Buffett that I like.

Roald Dahl

Tuesday, September 30th, 2008

A: “It doesn’t just make me look fat, it makes me look like a cautionary tale by Roald Dahl.”

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B: “Have you eaten? I’m tired of pouring hot water onto powdered things and calling that a meal.”

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C: “I feel like a whale.”
D: “You feel like you were speared and devoured by a bunch of Japanese?”
E: “There she blows.”
F: “A whale (I’d imagine) would feel quite at ease with the world, unhurried in the way only surpassed by the giant sequoia or the cresote bush, or maybe non-volcanic mountains. A whale does not get hurt easily either. Hence whale song is a mainstay of homeopathy and Wiccan practices.”

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(Reading Anne Carson)

A)
This is banal. It’s like Beckett. Say something!

B)
… What will you take? I ask Corrado who is leaving for Patagonia and when
he says 2 or 3
valises I say If I had to go away I would take with me everything I see.

北京春节

Friday, September 12th, 2008

wheels

wheels

liondance

umbrellas

FOR Anais. The rest of the photoshoot series,which was taken in Beijing during Chinese New Year. I’m not sure who or which magazine published these Jed Root photos — they’ve been sitting around on my hard disk for some time.

中秋

Wednesday, September 10th, 2008

lanterns

LANTERNS, mooncakes, pomelo and tea for for the mid-autumn festival. And here’s one of my favourite songs ever, 但愿人长久.

Breaking down walls

Tuesday, August 12th, 2008

breaking through

Image © Jean-Baptiste Mondino from here

I LOVE this photo.