Archive for the ‘À boire’ Category

I mean I want to see

Monday, July 12th, 2010

“The unreal is more powerful than the real. Because nothing is as perfect as you can imagine it. Because its only intangible ideas, concepts, beliefs, fantasies that last. Stone crumbles. Wood rots. People, well, they die. But things as fragile as a thought, a dream, a legend, they can go on and on. If you can change the way people think. The way they see themselves. The way they see the world. You can change the way people live their lives. That’s the only lasting thing you can create.”

– Chuck Palahniuk

From this blog. This man sounds like such a lovely man. In Vienna.

He reminds me of why teachers in Asia are my favourite people. I love the Princeton programme…I met some of his friends on my trip through Laos, and they remind me of X. Educators *are* my favourite people. The people I met are friendly, easy-going, empathetic, and intelligent and hungry and funny.

I hope you find your harbour. I hope you find your sanctuary. I hope you find your heart’s home. God bless, god speed, and bon voyage. If you want to stay where you are and sleep all day, I think that’s perfectly fine too. :) That’s how dreams are made, you know.

That reminds me, I have to go read The White Tiger. Mmm…reading. You adult readers can go and watch football and surf for porn and watch TV if you want. Just remember to stay clean, go slow, and relax. :)

I think Singapore’s the best place for that, actually.

Yuengling

Monday, June 7th, 2010

A is drinking Yuengling at the ballpark. Feeling Phillyish even though I’m clear across the state. Miss my Philly friends!
B: A, I know I’m Chinese…and Yuengling sounds Chinese…but what is it?
A: Hehe… It is not Chinese in the slightest. It is an American lager brewed in Pennsylvania.

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C: Foto bukan tehnik. Itu hanya tehnik foto. Foto adalah sesuatu yg mengandung makna. Tehnik hanya ‘kendaraan’ makna. Soal tehnik itu bisa mengantar makna pada tujuan tergantung: a. punya tujuan b. punya komitment terhadap tujuan itu. Selain itu tidak penting.

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D: An insect flew into my eye and died. Great, now I’m the human Venus eye-trap.

新山的故事 从船开始

Monday, October 5th, 2009

● 陈再藩
两岸灯火

  上一期的专栏,我们说,柔佛州州务大臣会在大家的簇拥下,穿过节目交织的陈旭年街,最后,才在各民族鼓乐的激昂声中,来到新山华族历史文物馆的正面大门。

  十月三日上午天气晴而不燥,陈旭年街人山人海。州务大臣果然展开了一次充满象征意义的文化散步,而且还在老咖啡店的花树下,坐下来喝杯咖啡。

  咖啡店的对面屋墙,前一天才装置了一片十尺见方的步行街图。特点是,这份街图绘于1887年。时代与空间生态的刻意错置,使对面的咖啡店多了一些诉鲜的话题。

  咖啡店的五脚基,还上了一片贴板,将每个星期日的“锦花茶座”专栏贴在上面。贴板上有句话:“一个老城区、一条老街,加上一间老咖啡店,便有无数老故事,可以伴着咖啡香,留给子孙,送给过客……”

  这是让这条街开始讲故事的一个“手段”——报章专栏以街店为名,而店外看板又以专栏为主角,每周新添一则,如此细水长流,故事便可绵延不绝。

  走过的必留下痕迹与感觉。走过陈旭年街的故事与表演,州务大臣在致开幕词时,说州政府会全力支持新山华社将陈旭年街发展为历史与文化步行街时,那句话不再是一句讲词,而是他刚刚亲自接触的故事。他在街上趋近一个穿着红木屐敲锣的小男孩。孩子不足六岁,吃力地提着的铜锣大过他半个身子。他卯足劲,跟着潮州大锣鼓队在演奏马来民歌Rasa Sayang。大臣也停步子,和来自新加坡的陈旭年第五代曾孙陈业裕闲聊几句,问他可曾回访潮州祖乡……

  开幕剪彩之后,大臣登上了二楼。新山的历史,得从脚下的船板开始。大约1840年代,约4000名潮州人在义兴公司的号召下从新加坡乘船进入柔佛,掀开了后来延续约八十年的华人港主开荒历史。

  柔佛的港主制度是苏丹阿布巴卡聪明的创制,他发出港契,让获得某条河域港契的港主拥有相当独立的经济与司法权,可以铸钱、印钞票、采矿、伐树、买卖烟酒,甚至开设赌场,审押居民等。柔佛在十九世纪颁授上百港契,十之八九由潮州人所拥有。这也是“柔佛”这地名在潮州移民史上仅次于暹罗(泰国)之因。

 民间传说进入了历史文物馆便得淡化乡野传奇的色彩。苏丹阿布巴卡早在进入新山之前便与卖布的陈旭年在新加坡结拜为兄弟手足的传说,迄今仍传述于潮州彩塘镇及新山华社,但在文物馆里就变成了《十九世纪华巫合作》这个标准标题。这是柔佛华族历史的首要篇章。接着,谈的一定是义兴公司与甘蜜。1880年左右,柔佛是全世界最大的甘蜜生产“国”。传说种植业最鼎盛之际,全柔20万人口里华人约占四分之三。那时,从新山纱玉河口运甘蜜到新加坡河畔进行交易的“物流”话动,想必是一番盛景。

  这就难怪在柔佛独拥近十条港(河域)的陈旭年也能在新加坡河畔建起那么雅致的双层“涟漪轩”及位于Jalan Penang 、官气十足的“资政第”。更能在故乡费14年建成名列中国国家保护建筑的从熙公祠。

  十九世纪过去了,港主制度与义兴公司在廿世纪初相继消失,华人与马来统治者的“手足关系”在英国人介入之下,开始拔远。

  传奇退场,文物馆的展示进入了现代史,乡会、学校与文化成了三楼的主角。这时,取代义兴的华侨公所易名为中华公会。华人社会,从此告别了船的年代。  

(传自新山)

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Mysterious gifts to be suspected and questioned. I don’t believe in some secret Santa suddenly giving out tea or bouquets dropping from the sky. So offending parties must be questioned.

And really, what’s up with the pricing of history books in Singapore? And they’re by the think-tanks too. Where does the money *go*?? Come on, subsidise and no hard covers please.

No wonder photocopy shops are doing a thriving business. This reminds me of the fiasco that was Project Eyeball, which was priced out of market. Stupid marketing folks.

Diamonds my arse

Monday, September 28th, 2009

Read this excellent The Atlantic article:

The idea was to create prestigious “role models” for the poorer middle-class wage-earners. The advertising agency explained, in its 1948 strategy paper, “We spread the word of diamonds worn by stars of screen and stage, by wives and daughters of political leaders, by any woman who can make the grocer’s wife and the mechanic’s sweetheart say ‘I wish I had what she has.’”

De Beers needed a slogan for diamonds that expressed both the theme of romance and legitimacy. An N. W. Ayer copywriter came up with the caption “A Diamond Is Forever,” which was scrawled on the bottom of a picture of two young lovers on a honeymoon. Even though diamonds can in fact be shattered, chipped, discolored, or incinerated to ash, the concept of eternity perfectly captured the magical qualities that the advertising agency wanted to attribute to diamonds. Within a year, “A Diamond Is Forever” became the official motto of De Beers.

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But yeah, I’m into consumption anyway…I love this:

The tea-tray I bought in JB

What is 鸡翅木 in English? Chicken wing wood? Can this be real?

Come over for Chinese tea, sometime, darlings!

 

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Wines for Asian food

Curry puffs: chilled sweet Sherry (err a bit atas, to eat Old Chang Kee with wine…)
Yes, they have Takoyaki pairings with: dry nutty Fino Sherry
Chicken Wings: Merlot or Gewurztraminer
Vietnamese Spring Roll: Sauvignon Blanc
Curry Debal: Muscat or Greek Mavrodaphne
Rendang with Cabernet Sauvignon, Bordeaux, or Barolo, something tannic and big

Asses are made to bear…

Sunday, August 30th, 2009

A (typing): I was supposed to asses him.
B: Huh? Asses? You turned gay is it?
A: Oh I mean assess. Of course. Slip of the fingers.
B: Another crassic from you.

DAMN! I should be reading War And Peace. Or making headway with calligraphy…

Undiagnosed autism: When I’m too lazy to wash brushes I do 硬笔书法。

富家不用买良田,书中自有千钟粟。
安居不用架高堂,书中自有黄金屋。
娶妻莫恨无良媒,书中自有颜如玉。
出门莫恨无人随,书中车马多如簇。
男儿欲遂平生志,五经勤向窗前读。

Instead I’m compiling lists like the one below:

60 Things Not to Say to a Naked Guy

1. I’ve smoked fatter joints than that.

2. Ahh, it’s cute.

3. Who circumcised you?

4. Why don’t we just cuddle?

5. You know they have surgery to fix that.

6. It’s more fun to look at.

7. Make it dance.

8. You know, there’s a tower in Italy like that.

9. Can I paint a smiley face on that?

10. It looks like a night crawler.

11. Wow, and your feet are so big.

12. My last boyfriend was 4” bigger.

13. It’s ok, we’ll work around it.

14. Is this a mild or a spicy Slim Jim?

15. Eww, there’s an inch worm on your thigh.

16. Will it squeak if I squeeze it?

17. Oh no, a flash headache.

18. (giggle and point)

19. Can I be honest with you?

20. My 8-year-old brother has one like that.

21. Let me go get my tweezers.

22. How sweet, you brought incense.

23. This explains your car.

24. You must be a growing boy.

25. Maybe if we water it, it’ll grow.

26. Thanks, I needed a toothpick.

27. Are you one of those pygmies?

28. Have you ever thought of working in a sideshow?

29. Ever heard of clearasil?

30. All right, a treasure hunt!

31. I didn’t know they came that small.

32. Why is God punishing you?

33. At least this won’t take long.

34. I never saw one like that before.

35. What do you call this?

36. But it still works, right?

37. Damn, I hate baby-sitting.

38. It looks so unused.

39. Do you take steroids?

40. I hear excessive masturbation shrinks it.

41. Maybe it looks better in natural light.

42. Why don’t we skip right to the cigarettes?

43. Oh, I didn’t know you were in an accident.

44. Did you date Lorena Bobbitt?

45. Aww, it’s hiding.

46. Are you cold?

47. If you get me real drunk first.

48. Is that an optical illusion?

49. What is that?

50. I’ll go get the ketchup for your french fry.

51. Were you neutered?

52. It’s a good thing you have so many other talents.

53. Does it come with an air pump?

54. So this is why you’re supposed to judge people on personality.

55. Where are the puppet strings?

56. Your big gun is more like a BB gun.

57. Look, it fits my Barbie clothes.

58. Never mind, why bother.

59. Is that a second belly button?

60. Where’s the rest of it?

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Champagne geekery from Hugh Johnson’s Wine Atlas & Jancis Robinson

derived from Latin term campania, originally used to describe the rolling open countryside just north of Rome. Much mystique and romanticism over this, but a NZ sparkly or German Sekt is often more worth it. Champagne houses of course want us to buy into the image, so we’ll continue thinking of it as a super-luxury item and continue paying through the nose for it. (cf Andrew Barr’s Wine Snobbery).

Blanc de blancs: All-Chardonnay
Blanc de noirs: from dark-skinned grapes
Cuvee: a blend, which all champagne is
Non-vintage (NV): with wines from more than one year
Reserve: much used but meaningless term
Vintage: wine from a single year.

Basic champagne = nonvintage brut comes without a date on the label: blending of wines from different years to keep a consistent “house style”. Brut means very very dry. In very good vintages, which come three or four times a decade, some houses produce a special vintage champagne. These wines attempt to capture the essential character of that particular harvest year. Some produce fancy-schmancy bottling called tete de cuvee or prestige cuvee. eg Roederer’s Cristal, Bollinger’s RD.

Light and fairly delicate: Taittinger, Mumm, Perrier-Jouet, Deutz, Laurent-Perrier, Pol Roger
Medium: Moet et Chandon, Piper-Hiedsieck, Charles Hiedsieck, Joseph Perrier
Rich and full: Louis Roederer, Veuve Clicquot, Krug, Bollinger

Sweetness levels:
Extra brut: bone dry
Brut: dry
Sec: dryish
Demi-sec: medium sweet
Doux: relatively sweet

Bottler codes:
NM: negociant-manipulant: champagne maker who buys in grapes
RM: recoltant-manipulant: grower who makes his own wines
CM: cooperative de manipulation: a co-op
RC: recoltant-cooperature: grower selling wine made by a co-op
MA: marque d’acheteur: buyer’s own brand

To be champagne, a wine must do more than sparkle. It must come from the Champagne region in north-east France. The best champagne has a combination of freshness, richness, delicacy and raciness, and a gently stimulating strength no sparkling wine from anywhere has yet achieved…(yet).

Part of Champagne’s secret lies in its combination of latitude and precise position. Even before global warming brought an increase in average ripeness, Champagne’s proximity to the sea helped ripen grapes this far from the equator and temperatures in the ripening month of July are higher than in Germany’s Franken and NZ’s Marlborough. The Marne departement still produces more than 2/3 of all champagne, but there are vineyards in the Aube to the south that specialise in vigorous, fruit Pinot Noir and the mainly Pinot Meunier vineyards on the banks of the River Marne extend westwards well into the Aisne departement.

Demand for champagne is higher than ever and by 2004 all of the official champagne producing area of 32,871ha had been planted, with the Champenois still arguing how it might be extended. Only 10% of this precious vineyard belongs to the large exporting houses responsible for the worldwide reputation of champagne who tend to blend ingredients from all over the region to produce their wines. The rest is owned by more than 19,000 growers, many of whom are part time.

More and more of these growers, well over 2,000 at the last count, are making and selling their own wine rather than selling grapes to the maisons, although they sometimes do that as well. The growers’ champagne (which was what we had at the tasting), which are increasingly highly regarded, now account for almost a quarter of all sales.

- Pinot Noir (38% of vineyards)
- Pinot Meunier
- Chardonnay (28% of vineyards)

Most of the increasingly popular rose champagne is made by deliberately adding some red wine to the white. Today, sugar and yeast may be added to the fully fermented dry wine so a second fermentation occurs in the bottle.

The chief difference between champagne brands likes in the making of the cuvee, as the blend of dry base wines is called. Everything depends on experience in assembling the young wines, which are sometimes deepened by a dose of older, reserve wine, and on how much the house is prepared to spend on raw materials. The reputation of an established house is based on its non-vintage wines, blended so that no difference is noticeable from year to year. Styles vary from the challenging concentration of a Krug or a Bollinger to the seductive delicacy of a Taittinger, with Pol Roger and Louis Roederer as models of classical balance.

The quality of the bubbles in a sparkling wine gives you a good indication of the quality of the wine itself. Use your eyes first: look at the size and number of bubbles in each of the sparkling wines. Prosecco, for instance, is Italy’s flagship sparkler — look for Valdobbiadene, and choose a dry version. Cava from Spain can be great value for money. Pay a little extra for the higher quality of a reserva. NZ: Try Cloudy Bay Pelorus, or Morton Estate’s Brut Methode Traditionnelle. They often offer finesse to rival the best basic Champagne cuvees, but at a fraction of the price. Hunter’s is not bad as well. These wines go well with seafood, such as crayfish and caviar.

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My age? I prefer to think of myself as a cuvee rather than a particular vintage.

Budgeting

Friday, August 28th, 2009

TIME to really go for the yong tau foo & toto tickets. I’ve set aside some cash for travelling and so on, but will have to go back to the Excel spreadsheets, then factor in stuff like insurance, anger management workshops and all. Need good insurance coverage, will ask you guys about it when I see you next. No more $300+ splurging trips at Borders, fewer cheongsams, in fact, NO shopping for clothes…& monitor my “passive investor style” portfolio.

Shing, you can tell the toadies: At least I’m not morally bankrupt.

More retorts:
1. I don’t just accept that life is unfair, I embrace it. (Then try to hug your boss.)
2. I’m a liberal arts major, which means I serve fries…and disemvowel people.
3. To male toady: Oh do you know the pains of DELIVERING too?

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Some folks with the eyes that seem to have seen too much. Someone always laughing at the world from some mysterious standpoint of inner knowledge — who had lost some intangible, all-real zest of faith and idealism.

Elegant, with all that the world implies, but impossible — not because of its trappings or elegance, but just because of its impossibility.

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Reading Nassim Nicholas Taleb’s Fooled By Randomness, and enjoying it greatly:

…we seem to have evidence that what is called “courage” comes from an underestimation of the share of randomness in things rather than the more noble ability to stick one’s neck out for a given belief. In my experience (and in the scientific literature), economic “risk takers” are rather the victims of delusions (leading to overoptimism and overconfidence with their underestimation of possible adverse outcomes) than the opposite. Their “risk taking” is frequently randomness foolishness.

Had a good time at wine-tasting last night with Nancy and her friends William and Cheryl…the vintners were passionate about their job, and told the drama of vineyard politics well. Was too tired and drugged up to take proper notes:

Domaine Jean Marc Boillot

1. Montagny 1er Cru 2007
2. Chassagne Montrachet 2007
3. Puligny Montrachet 2007
4. Puligny Montrachet 1er Cru les Referts 2007
5. Puligny 1er Cru Champ-Canet 2007
6. Puligny 1er Cru La Truffiere 2007
7. Puligny 1er Cru les Combettes 2007

Champagne Penet
8. Champagne Penet Reserve
(the rest I didn’t drink as I was called home and collapsed promptly in the bed, unconscious, what a pity!!!!)
9. Champagne Penet Rose
10. Champagne Penet Grande Reserve
11. Champagne Penet Diane Claire

Gewurztraminer

Tuesday, July 21st, 2009

OF ALL grape varieties there’s none as perfumed, as seductive and easy to recognise as this. In the Etsch Valley in Tyrol there’s a town called Termeno, or Tramin in the local Germanic dialect. Traminer simply means the grapes of Tramin, and Gewurz is spice — hence Gewurztraminer means the most perfumed version of the grape.

The wines can be pungent and aromatic, with a rose-water or tropical fruit character, most notably lychee or rambutan. It’s a red grape, and the coloured skin results in deep coloured wines, often pale gold rather than the lemon yellow of most white wines.

Last had a lightly sweet glass with spicy chicken wings. Yummy.

Riesling ♥ & a bit of tea…

Tuesday, July 14th, 2009

RIJSTTAFEL with Riesling from Clare Valley (Grosset Polish Hill 2006). The lightly sweet kecap manis goes well with the sweetness. Also a good dish of ikan nila goreng with a sambal of tamarind and chilli — there’s enough acidity in the Riesling to go with the crispy fish, and the sweetness envelopes the hot sambal…

From Hugh Johnson’s Wine Atlas:

“Clare is isolated, and feels like it. Local wine producers are proud to be distant from the influence of fashion and big company politics. This is farming country in the hands of small farmers in the main who form an unusually cohesive group of wine producers. They were the first in Australia to agree to move to screwcaps in an effort to preserve the particular steely quality of their Rieslings. In the hands of literally dozens of Riesling producers as capable as Grosset, Kilikanoon, Petaluma etc, Clare Riesling has established itself as Australia’s most distinctive: firm and dry, sometimes almost austere in youth, but usually with a rich undertow of lime that can mature to toastiness after years in bottle.”

I’ve not tried any Eden Valleys — one relatively new one is Mesh, a joint venture between Yalumba and Jeffrey Grosset, Australia’s king of Riesling. According to Grosset, Eden Valley Riesling tends towards grapefruit while Clare Valley is characterised more by lime…

:) So fun to match and learn! Still don’t know much about wine, but I started off with Rieslings: the first time I could taste a difference between the cheap Muller-Thurgau Liebfraumilch and a QbA Riesling, which was fresher, with clearer fruit and citrus aromas, with a fine racy acidity and a far longer finish.

With the QmPs the purity of fruit flavour is greater, with a wonderful delicacy of touch yet at the same time an intensity of flavour. Mosel wines are crisper, with fruity citrusy flavours developing into oil with age, while the Pfalz (further south, with riper grapes and greater concentration of sugar and flavour) is melon or peachy, with sweeter fruit and fuller body.

In the late 19th and first half of the 20th C, German Rieslings were prized and priced as highly as the great reds of France. Its showcase is the northerly Mosel-Saar-Ruwer, home to a quarter of all of Germany’s Riesling. The best sites face south, to attract maximum ripening sunlight, ahave a steep gradient, and are sheltered from wind. The gradient makes the vineyards hard to work — younger Germans are unwilling to spend their working days in the open, fighting gravity, hunched over truculent vines….but the result is wines unique in the world for the combination of low alcohol, striking aroma, high extract and delicacy of texture. Due to the combination of acidity and extract, the wines can develop for decades in bottle.

Aussie Rieslings have a minerally raciness underlying the tangy, lime-accented fruit — the wines are less phenolic than those of Alsace, and less alcoholic than Austria/Alsace.

To try: Cloudy Bay late harvest Riesling for desserts.

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Sweet wines: The greatest of them all: Chateau d”Yquem and the finest Eisweins and Trockenbeerenauslesen, for desserts and foie gras, or blue cheese and liver pate.

The best sweet wines are made when fermentation stops naturally, either because the yeast dies or because the must is too concentrated to allow the yeast to work efficiently. There will always be a crisp balancing acidity, which will clean the palate, giving a fresh, lively finish.

In France, Sauternes and Barsac — just up river from Bordeaux, are the most famous of all sweet wine areas in France. The Semillon is concentrated by noble rot — porriture noble — and the balance is achieved by Sauv Blanc.

The temperatures in German cellars tend to be lower than those in most southern countries, especially as the harvest is later, so the yeast finds it even more difficult to work. The result is that many German sweet wines are very low in alcohol, 8 or 9 per cent is not unusual. This means the wines tend to be a little sweeter than a French equivalent picked at the same grape-sugar level, but the racy acidity makes for a lighter, less unctuous palate.

Tokay wines are also made from noble-rot berries, but are handled differently. The heavily botritic berries are kept separate from the unaffected ones, and the healthy berries are turned into must/wine and then the rotten berries added. The propotion added is measured in puttony, so the higher the puttonyos figure, the sweeter the finished wine.

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Speaking of Rieslings, here’s the full list of German wine categories:

1. Deutscher Tafelwein, or ‘German table wine’
This is the equivalent to vin de table. It must be produced exclusively from allowed German-grown grape varieties in one of the five Tafelwine regions. Region or subregion must be indicated on the label. The grapes must reach a must weight of 44°Oe on the Oechsle scale (5% potential alcohol) in most regions, with the exception of Baden where 50°Oe (6% potential alcohol) must be reached. The alcohol content of the wine must be at least 8.5% by volume, and concentration or chaptalization can be used to reach this level. They must reach a total acidity of at least 4.5 grams/liter. Tafelwein (without “Deutscher”) can be a so-called Euroblend, a table wine made from grapes grown in several European countries.

2. Deutscher Landwein, or ‘German country wine’
This is the equivalent to vin de pays, and was introduced with the 1982 harvest. Regulations are similar to those for Deutscher Tafelwein, but must come from one of the 19 Landwein regions, the grapes must reach 0.5% higher potential alcohol, and the wine must be dry (trocken) or off-dry (halbtrocken) in style, i.e. may not be semi-sweet. “Landwein” can also refer to German fruit wines.

3. Qualitätswein bestimmter Anbaugebiete (QbA), or quality wine from a specific region.
These wines must be produced exclusively from allowed varieties in one of the 13 wine-growing regions (Anbaugebiete), and the region must be shown on the label. The grapes must reach a must weight of 51°Oe to 72°Oe depending on region and grape variety. The alcohol content of the wine must be at least 7% by volume, and chaptalization is allowed. QbA range from dry to semi-sweet, and the style is often indicated on the label. There are some special wine types which are considered as special forms of QbA. Some top-level dry wines are officially QbA although they would qualify as Prädikatswein. It should be noted that only Qualitätswein plus the name of the region, rather than the full term Qualitätswein bestimmter Anbaugebiete is found on the label.

4. Prädikatswein, recently (August 1, 2007) renamed from Qualitätswein mit Prädikat (QmP)
The top level of the classification system. These prominently display a Prädikat from Kabinett to Trockenbeerenauslese on the label and may not be chaptalized. Prädikatswein range from dry to intensely sweet, but unless it is specifically indicated that the wine is dry or off-dry, these wines always contain a noticeable amount of residual sugar. Prädikatswein must be produced from allowed varieties in one of the 39 subregions (Bereich) of one of the 13 wine-growing regions, although it is the region rather than the subregion which is mandatory information on the label. (Some of the smaller regions, such as Rheingau, consist of one only one subregion.) The required must weight is defined by the Prädikat, and the alcohol content of the wine must be at least 7% by volume for Kabinett to Auslese, and 5.5% by volume for Beerenauslese, Eiswein and Trockenbeerenauslese.

The different Prädikat designations used are as followed, in order of increasing sugar levels in the must:

1. Kabinett: fully ripened light wines from the main harvest, typically semi-sweet with crisp acidity, but can be dry if designated so — ideal aperitifs, light and refreshing wines
2. Spätlese - meaning “late harvest”: typically semi-sweet, often (but not always) sweeter and fruitier than Kabinett. Spätlese can be a relatively full-bodied dry wine if designated so. While Spätlese means late harvest the wine is not as sweet as a dessert wine. Can age well.
3. Auslese - meaning “select harvest”: made from selected very ripe bunches or grapes, typically semi-sweet or sweet, sometimes with some noble rot character. Sometimes Auslese is also made into a powerful dry wine, but the designation Auslese trocken has been discouraged after the introduction of Grosses Gewächs. Auslese is the Prädikat which covers the widest range of wine styles, and can be a dessert wine. Ageing is essential.
4. Beerenauslese - meaning “select berry harvest”: made from individually selected overripe grapes often affected by noble rot, making rich sweet dessert wine.
5. Eiswein (ice wine): made from grapes that have been naturally frozen on the vine, making a very concentrated wine. Must reach at least the same level of sugar content in the must as a Beerenauslese. The most classic Eiswein style is to use only grapes that are not affected by noble rot. Until the 1980s, the Eiswein designation was used in conjunction with another Prädikat (which indicated the ripeness level of the grapes before they had frozen), but is now considered a Prädikat of its own.
6. Trockenbeerenauslese - meaning “select dry berry harvest” or “dry berry selection”: very rare, very sweet, very expensive wines made from selected overripe shrivelled grapes often affected by noble rot.

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Most people think we taste with our mouths, but the palate’s a poor organ to taste with. Much of our sensations of taste comes from our sense of smell. We do have “blind spots” in smells — about 10 per cent of the population will be “blind” to any particular pure smell: a function of anosmia, or smell blindness. Fortunately, the flavour of wine is made up of different components, so there will always be something to enjoy. The smell of wine comes to us intwo ways: first, physically and deliberately smelling the glass and second through retro-olfaction: experiencing smells via the back of the mouth when the vapour of the wine reaches the nasal cavity in the back of the mouth.

There are three things you should be looking for on the nose: cleanliness, intensity of character and the character itself. Some wines, such as Sauvignon and Gewurtztraminer, have a strongly aromatic character. Others, such as Soave and Muscadet, are far weaker on the nose. Allied to the fruit character is the development. Recognising development takes a little practice and experience, and is closely tied to the specific characteristic you smell in the wine. Wine is said to have three separate ranges: the primary aromas are those from the grape, the secondary from the fermentation process and tertiary from subsequent maturation.

Young wines have a vibrant, fruity flavour. It can be simple or complex, but it’s a smell of primary fruit. Development implies greater complexity, with layers of perhaps spice or leather. When very young, wine smells of the fermentation. We normally don’t get this unless we’re at a winery, but some such as Beaujolais Nouveau, if tasted on the release date, can have something of this left. After a short time this disappears and fruit aromas come to the fore. By convention fruit and fermentation smells are referred to as aroma, while maturation character is called bouquet.

It’s remarkably difficult to identify exact smells when you begin to taste. There are many instances of one country’s “standard” tasting notes being of no use in another. English wine literature describes Sauv Blanc as being like gooseberry. Markets in the Far East are full of all manner of fruits and vegetables simply not seen in the West, but equally the shopper here have never seen juniper berries. In the 1970s and 1980s, Alsace Gewurztraminer was always described as spicy — but never as tasting of lychee, today’s standard descriptor as lychees were hardly known in Britain at the time.

What we’re smelling in wine is a vast series of organic chemical compounds.

Some typical characters:

Chardonnay: banana, butter, butterscotch, citrus, creamy, green apple, lime, nuts, pineapple, timber yard, toasty, tropical fruit, vanilla, wood

Riesling: apricot, aromatic, floral, kerosene, lemon, lime, mineral, oil, petrol, rose petal, sealing wax, slately, steely.

Muscat: apricot, aromatic, bath salts, grape, peaches, perfumed, soap

Sauv Blanc: asparagus, blackcurrant leaves, catty, flinty, floral, gooseberry, grass, green apple, green fruit, nettles, tinned peas

Semillon: fat, oil, rich, toast, tropical fruit, waxy

Viognier: apricot, peach, ginger, spice

Pinot Noir: cabbage, compost heap, ethereal, farmyard, horse manure, raspberry, summer pudding, tinned strawberry, vegetal, violets

Cab Sauv: blackberry, blackcurrant, black pepper, cassis, cedar, cigar box, green pepper, leather, mint, oak, plums, prunes, Ribena, tea leaves, tobacco

Shiraz: animalesque, blackcurrant, dark fruit, earthy, hot fruit, jam, leather, medicinal, oak, spice.

Merlot: cherries, damson, dark fruit, plum, red fruit, rich, soft

*

Every time I go to Mustafa’s I stock up on Ahmad loose leaf tea: I adore the Ceylon blend…Ceylon black tea is one of Sri Lanka’s specialties, with a crisp aroma reminiscent of citrus, and is used both unmixed and in blends. It is grown on numerous estates which vary in altitude and taste — there are five estates and five broad varieties of Ceylon tea.

* Dimbula is a region that is drenched by the monsoon during August and September. The best teas from this region are from the dry months of January and February. Dimbula is a Ceylon Tea noted for its strength and powerful aroma. The tea is recommended with milk.
* Galle is located in the southern part of the island. Tea from this region has regular-sized leaves and has a golden appearance when brewed. Galle tea is known for its gentle, subtle taste, and is recommended with milk.
* Nuwara Ellya is noted as the best quality Ceylon tea. The name means ‘Above The Clouds’. Tea from the Nuwara Ellya region has a bright flavor and the liquid has a golden appearance. Tea from this region is best drunk with little or no milk.
* Uva is a region to the east of the central mountains and produces tea with a mellow flavor. The best teas from this region are harvested between June and September. The Ceylon Tea from this region are copper colored, with a smooth taste and is complimented well with milk.
* Ratnapura is a region that produces low-quality Ceylon tea. The tea grown from this region is mainly used as part of blends, but some are also sold alone. Tea from this region has a long-leaved appearance and a gentle, smooth taste. They can be drunk alone or with milk.

“Ahmad Tea buys teas from Galle, which yields a golden liquor, scented aroma, and gentle taste; from Nuwara Eliya, whose bright and delicate tea is considered by many to be the finest in Ceylon; from Dimbula, which produces a tea that exhibits body, strength and a characterful aroma; and Uva, whose teas renowned for their distinctive mellow flavour, fine taste and beautiful aroma.”

We need to develop an atlas for tea in Asia ala Hugh Johnson, and the vocabulary for it.

So excited!!!

Friday, July 3rd, 2009

ABOUT diving — I should have done this much sooner, but it’s going to be a great journey, I’ve been surfing the web for photos (lovely ones here and videos of where I’m going to do my first open water dive in Tioman, and oh, whole new worlds opening up!

1. Tioman
2. Pulau Aur
3. Bali, Lombok
4. Bunaken
5. Hantu to build up experience
6. Anambas, eventually
7. Similan

Hurray!

Q: So what do you do if you turn upside down in the water?
A: Some people scrabble about. But you can just flip around again.

Q: What happens if we ascend too fast?
A: Shake a bottle of coke really hard and then open it. Now imagine that happening in your lungs and blood vessels. Pop! Popopop!

So life’s been busy and full, what with

1. Academic stuff
2. Volunteering stuff
3. French and Cantonese
4. Calligraphy
5. Diving and trip planning
6. Social activities

And am *still* cataloguing my books, up to about a thousand, but it’s not ending….

*

Hamilton Russell Pinot Noir 2007: Une robe d’un tres joli rubis. Nez complexe avec des notes de fruits rouges et noirs (groseilles et mures), ainsi que des notes de boisees. Bouche en tension, sur un duo acidite-mineralite impactant, certes un peu saillant, austere, mais offrant une tenue remarquable. Belle fraicheur fruitee, une longueur etonnante, une finale qui colle a la bouche.

Argh my French fails me — I really really like this wine from S. Africa that’s made in a Burgundian style. So here we go from the winemaker’s tasting notes: The low-vigour, stony, clay-rich soil, cool maritime mesoclimate, naturally tiny yields of under 30 hl/ha and our philosophy of expressing our terroir in our wines give rise to a certain tightness, tannin line and elevated length to balance the richness and generosity of our Pinot noir. Our Pinot noir is not overtly fruity, soft and “sweet” and it generally shows hints of that alluring “primal” character along with a dark, spicy, complex primary fruit perfume.

On diving

Sunday, June 14th, 2009

A: We saw a turtle and I was trying to keep up with it…but I couldn’t and I’d to surface as I was getting tired.
B: Outpaced. By a turtle. Happy birthday.

*

Ceretto 2007 Moscato D’Asti Santo Stefano: Parfait pour brunch — très rafraîchissant. Robe jaune pâle. Le nez est assez frais, caractéristique du cépage moscato, avec des traces nettes d’épices et notes de miel d’acacia. Finale assez persistante. Vraiment agréable!

*

Oceanic scope, echoing waves, horizon-reaching vistas of the world…

Reading

1. Ishiguro’s An Artist Of The Floating World and its description of the miai between Noriko and Taro Saito, and of the “floating world” — the nighttime world of pleasure, entertainment and drink which formed the backdrop for the protagonist’s paintings, and talent gone to ruin (cf All Soul’s two beggars).

2. Alberto Manguel’s A Reading Diary.

Morel reminds me of certain characters (Gloria Swanson in Sunset Boulevard or the faithful daughter in Merchant-Ivory’s Autobiography of a Princess) who spend their days watching the past come to life on a screen. The theme of the loved one recalled as a projected image appears for the first time, as far as I know, in an 1892 Jules Verne novel, The Carpathian Castle…In Verne’s version, the eccentric Baron Gortz brings back to life the beautiful opera singer Stilla, who has died in the middle of her farewell performance, and with whom the Baron has been long and obsessively in love. In the end, it is revealed that what the Baron has re-created is not her flesh and blood, but merely her image captured on a glass pane, and her voice in a recording.

(I now remember an earlier example: the shadows in Plato’s cave.)

Bioy Casares follows the precepts of the detective novel: hide nothing from the very beginning, reveal nothing until the last possible moment…

p. 10

Perhaps, in order for a book to attract us, it must establish between our experience and that of the fiction — between the two imaginations, ours and that on the page — a link of coincidences.

p. 14

Borges, when asked if he believed in God: “If the word God means a being that exists outside time, I’m not sure I believe in Him. But if it means something in us that is on the side of justice, then yes, I do believe that, in spite of all the crimes, there is a moral purpose to the world.

p. 32

We read what we want to read, not what the author wrote. In Don Quixote, I’m not particularly interested in the world of chivalry but in the ethics of the hero, and in the curious friendship with Sancho. In The Wind In The Willows, I care far less about Mr. Toad than about Rat, Mole and Badger. In Kim I am not in the least interested in the Great Game, all that infantile spy-story stuff, but I’m enthralled by Kim’s and the Lama’s respective quests and by the brilliance of the depiction of a world I don’t know.

Note: Literary travel is either a monologue or a dialogue, either the unravelling of one traveller’s route (Ulysses, Pilgrim, Justine, Candide, the Wandering Jew) or two characters in mutual progression (Don Quixote and Sancho, Huckleberry Finn and Jim, Brother and Sister in search of the Blue Bird, Kim and his Lama).

p. 41

Ana Becciu wrote this in Ronda de noche: “Love happens when we stroke a textured surface, when something is told with the hands or with the mouth. The mouth uses stories to stroke, causes scattered textures to appear, textures that can be read out loud. But almost no one knows how to read.”

Title for a doctoral thesis: “The Novel as Obstacle Course.”

The Lama believes that every obstacle in his way will be removed; Kim, that he himself is capable of either removing it or going around it. I read yesterday in Max Brod’s biography that Kafka disliked Balzac and had noted with disapproval the motto Balzac had engraved on his walking stick: “Je casse tout obstacle” (”I shatter every obstacle”). Kafka then added his own motto: “Every obstacle shatters me.”

- p. 43

This morning, outside the window of the train on my way home, a short, almost imperceptible snowstorm. In the Book of Common Prayer: “He giveth snow like wool.”…I make a mental list of descriptions of snow in books I’ve read and think that, since there are so many, they would not coincide with those of another reader.

- p. 74

I explore my library like someone returning to his native land after an absence of decades. Every time I leave on one of my book junkets, I have to chart its geography all over again, establish paths from shelf to shelf, remembering titles I have not thought about for weeks.

Like a man finding his bearings in a library, Holmes can trace his way through the labyrinth of London by reciting the names of the streets seen from a cab: “Wandsworth Road…Priory Road. Larkhall Lane. Stockwell Place. Robert Street. Coldharbour Lane.” And later, the districts through which he pursues his quarry: “Streatham, Brixton, Camberwell…Kennington Lane…The Oval…Bond Street and Miles Street…Knight’s Place.” A city reduced to the titles it contains.

- p. 81

In Turkish, the word muhabbet means both “conversation” and “love”. You say for both, “To do muhabbet”. I like the idea of conversation being a window into one’s heart or mind.

- p. 100

According to Alan Bennett, The Wind In The Willows is Mole’s bildungsroman. Mole is content as long as he isn’t adventurous. Contentment requires a certain lack of curiosity…Kenneth Grahame is masterly at describing comfort.

- p. 113

3. And also one of my favourite books of all time Howards End. Orgy! Of reading! I love!

Also watching Will and Grace, which I’d not seen before, as well as finishing the whole Big Bang Theory and How I Met Your Mother with a friend who’s homebound…

*

“Thus to see our place in society from the perspective of this [original] position is to see it sub specie aeternitatis: it is to regard the human situation not only from all social but from all temporal points of view. The perspective of eternity is not a perspective from a certain place beyond the world, nor the point of view of a transcendent being; rather it is a certain form of thought and feeling that rational persons can adopt within the world…Purity of heart, if one could attain it, would be to see clearly and to act with grace and self-command from this point of view”

- John Rawls, A Theory of Justice, Harvard University Press, 1971, p. 587.

“Life is monstrous, infinite, illogical, abrupt and poignant; a work of art, in comparison, is neat, finite, self-contained, rational, flowing and emasculate.”

- Stevenson, Memoirs and Portraits

“Our true birthplace is that in which we cast for the first time an intelligent eye on ourselves. My first homelands were my books.”

- Marguerite Yourcenar

Happy food

Sunday, June 7th, 2009

Mother (in Chinese): Eating bananas will make you happy.
Me: Huh? Are you confusing it with smoking marijuana? Drinking alcohol?
Mother: No! Bananas make you happy. Healthily. *You* know how to check the Internet, *you* go check it out.

She’s vindicated

*

Tried Shanlinxi oolong for the first time…mmm. It’s a varietal of Gao Shan Cha (high mountain tea), with the high elevation providing ideal conditions for oolong tea growing. The leaves make a smooth and slightly astringent brew. Compared to Dongding, Shanlixi is smoother and closer to green tea in taste.

*

Folks, this is why I love the Internet. A good site to read Mengzi/Mencius and other texts!! I’m ecstatic.

Tasting notes

Saturday, June 6th, 2009

Il Palio Sangiovese: Robe violacee translucide. Nez intense sur des notes de framboise et myrtille, mais aussi des notes amyliques, typiques de la maceration carbonique. Bouche ronde, souple, d’un bel equilibre, avec une finale douce assez persistante.

Terrazas Reserva Malbec 2007: Robe sombre violacee. Nez superbe d’intensite et de profondeur sur la liqueur de fruits noirs et les epices. Bouche dense, mure, aux tannins veloutes. Matiere intensement mure et fruitee et grand equilibre. Les tannins en finale demandent encore a se fondre, mais il leur reste beaucoup de temps pour cela.

On Singlish

Sunday, April 19th, 2009

A (on someone she tried to teach Singlish to for four years): He didn’t even grasp the fundamentals of “lah”. He put a comma before it!

A: B’s the ablest student of Singlish I’ve ever had. He zaojued (造句ed): “Uncle, bring coffee to my room, can?”
B: But I’ve been told not to speak it at the hotel or I’ll lose respect.

B: Once A tried to make me tea using lime Perrier.
A squawks, denies this vehemently, and goes into lengthy explanation.

C: So we had a barbeque, and the fire went out, and the charcoal was lousy, and we had mountains of uncooked food. But the person who was hosting it didn’t have pots, pans, or even a microwave. He has never cooked. We ended up tarpaoing chicken rice.

*

I love people with a zest for every sort of knowledge. Smart, pushy, individual, original, full of energy.

*

To try: Central Otago Pinot Noir. Gibbston Valley. Olssens Jackson Barry. Drumsara. Wild Earth. Felton Road. Chard Farm.

*

So what is the difference between a good vintage and one its makers would qualify with explanations? A full mouth is one short way of expressing it. Really ripe grapes give the wine a sense of full veins pulsing, a texture gorged with matter, the sweetness of warm fruit and the flow of alcohol. Overripe means the taste of raisins, tannin that takes hold and a burn rather than a glow. Really underripe means scrawny, watery, weakly sweet and briefly sharp as it fades.

A good vintage in Bordeaux is by definition a warm, dry, sunny one. All the great vintages have been years of exceptional heat. Personnellement, je n’ai eu à ce jour que des bonnes surprises en achetant des médailles d’Or provenant de ce concours.

Hugh Johnson: “Lafite is a tenor; Latour a bass. Lafite is a lyric; Latour an epic. Lafite is a dance; Latour a parade.” Lafite tastes of cedar, Latour of iron. If I were looking for a typical Pauillac I would choose Chateau Grand-Puy-Lacoste: it speaks the Pauillac language of Cabernet fruit and deep warm soil, and it seems to transmit energy. Vitality is the most important quality in wine. Medoc at its best: firm, focused and slow to express itself.

St-Julien: Leoville-Barton. Lynch-Bages: Jean-Michel Cazes. Right bank: Claret is spoken with a different accent here, and rounder vowels. Young wines are less harsh, old wines more caressing. Great wines begin as ripe plums and mature into uninhibited excesses of honeyed cream. Moueix & Pomerol. Petrus.

Five, ten, fifteen years in bottle gives them more than just a patina of age. It does what age does to individuals: makes them more themselves. “To taste wines as old as this and find them still alive, still individual and true to their natures, is like meeting some gifted and fortunate soul whose old age is expressed in a gentle sort of sweet vitality never found in youth.”

Burgundy: Pinot is a fussier plant than the Cabernet. Like Riesling, it is a lens that brings the soil into focus. It captures soil, climate and vintage weather and reveals them without mercy. The Cabernet family blended together cover for each other. Pinot Noir is transparent, it has thinner skin, hence less pigment and less tannin. There is less of a veil to see through. The truffled violet silk of a Musigny, the oriental opulence of Romanee-Conti, the martial splendour of a Chambertin.

Cote de Nuits: darker, more tannic. Cote de Beaune: lighter. Gevrey-Chambertin, Morey St Denis: Stern and meaty. Chambolle-Musigny: lightish, scented. Clos de Vougeot: middle of the road. Vosne-Romanee: best belnd. Nuit-St-Georges: Tannic. Chambolle-Musigny Les Amoureuses.

Barolo, Barbaresco. Andrew Pirie’s Pinot Noirs in Tasmania. Yarra Valley. New Zealand will be kept busy staking out the best soils and aspects. Already in Martinborough and Marlborough and Christchurch and Central Otago a spectrum of vivid new Pinot flavours, some more luscious than any in Burgundy, some stressing the earthy note, are the start of a new chapter. Coldstream Hills.

Rhone: Syrah. Tannic grape: Cote Rotie: raspberry, Aussie: blackberries. In the North wines are about intellectual rigour, purity, patience; in the south they produce the smoothest flowing wine they can and incorporate as much punch, spice and grip as they dare. Chateauneuf-du-Pape.

Barossa Shiraz: sometimes lacks focus.

*

Chile: “It bears a strong family resemblance to bordeaux, and yet its flavour is sweet, ripe and open in a way that is rare in claret. It is very male wine, pungent and earthy, dense in texture, hinting of resin, yet with a strong tannic cut that leaves your mouth braced and ready for more.”

Had my first taste of Malbec (Terrazas de los Andes reserva), which goes well with grilled meat. Comment le décrire? Il est d’une densité assez impressionnante, et surtout d’une rare pureté de fruit. C’est velouté, charnel, avec un goût de revienzy assez impressionnant. I love the colour of the wine, deep, ruby-red with purple hints — still alluring though we drank it from plastic cups. Very rich, very fruity, and pretty good value for money.

*

Aussie: The medical men went to Margaret River in the 1960s. By the 1970s three of them had the wine world talking. Most of the world settles down to do one or two things well in a style it hopes people will recognise. Australians are encyclopaedic.

Petaluma: South Australia. Coonawarra: Shiraz — terroir with a character potential. Only particular spots on Earth are capable of giving wine a recognisable and consistent flavour. A good vinter with a singular terroir helps consumers to understand the extraordinary complexities of which only Nature is capable, and how these can be miraculously expressed from those little berries if man remains modestly satisfied with observing, understanding and assisting.

Italy: What characterises a good Chianti can be expressed as restraint. It is not a naturally fruity open wine but something with texture and structure. Its tannin is deliberately abrasive and its acidity fresh and appetising. In a good Riserva this is all filled out with flavour, warm and round, but still bracingly firm in your mouth — the character it shares with claret. It needs, if not the same length of years to mature, at least three or four. Radda, Castellina, Rufina hills. Montalcino: different Sangiovese: smaller grapes, thicker skins. Darker, stronger, beefier wine.

Sori Tildin, Sori San Lorenzo, Costa Russi.

*

We’re beginning to see what Chile can do with Cabernet, New Zealand with Pinot Noir, Argentina with Malbec and Australia with Riesling. Italy, Greece, Spain are parading their ancient varieties, unknown elsewhere, for the first time.

Kakhetian — vivid and generous and smelling of berries and rousing your mouth with a diamond edge of tannin. Saperavi is the grape.

To read: Africa Uncorked, Platter.

New world of wine

Tuesday, April 14th, 2009

bottles

Image © Maria Eugenia

“There is no sure-proof scientific formula for making great wines. Over the years I have learned to communicate with the wines and how to nurture them. I realized that you don’t make wine only with your head and your senses. You make wine with your heart. You have to pour your heart and your love into the wine. To me, wines are like my children. You have to love them and guide them like children, and you have to transmit to them the richness of your spirit.”

- Mike Grgich

READING about the 1976 Paris Tasting, how Chateau Montelena and the rest of them not only run with the best of the pack but often lead, and the globalisation of wine, and the Australian wine juggernaut. The country setting the pace in world wine today is Australia, a producer unlike any the world has ever seen. It is the first major wine country that has focused on exports rather than on its domestic market, and the producers and government have been going after the international market in an aggressive and systematic way. The international wine business has never had brands that could compare with other alcohol products such as Budweiser beer, Johnnie Walker scotch, or Smirnoff vodka. Australian producers are in the process of changing that, thanks to intensive branding and marketing campaigns.

This is the golden age of international wine. Never before in history have consumers enjoyed such high-quality wines at generally good prices.

Information below from George M. Taber’s Judgment Of Paris (un livre transportant qui nous fait découvrir la fierté et la passion qui animent des hommes et des femmes du vin. On y découvre leurs joies, leurs peines, leurs inquiétudes, leurs visions.). –

- Marlborough Sauvignon Blanc

- Barossa Valley Shiraz
How Max Schubert, the determined chief winemaker at Penfolds, literally willed Grange into existence more than half a century ago. He had to overcome a long and loud chorus of criticism, and it took years for this wine to find its place in the pantheon of world wines. He travelled to Europe in 1950, and came home with the goal of producing in Australia a wine that would be as rich and intense as those of Bordeaux and would also last twenty or more years. The classic Bordeaux grapes were not available in sufficient quantities, so he used the country’s most widely available grape, Shiraz. He couldn’t get enough French oak, so he used American oak…One critic called the wine “a concoction of wild fruits and sundry berries with crushed ants predominating”. The top management at Penfolds gave him instructions to halt the Grange project and cut off all funding for it, but undeterred and unbowing, he stealthily continued his work. The Grange wines eventually started to mature nicely and some of the rougher edges smoothed out, and the Penfolds board told Schubert he could start making Grange Hermitage once again.
The 1955 Grange won a number of golds before being retired from the wine show circuit in the late 1970s. After these early victories in Australia, Grange slowly rose in stature on the international wine scene until today, when it is now recognised as perhaps the world’s greatest Shiraz. Only four winemakers have had the final authority over Grange since the wine was first made in 1951. Schubert made it until 1973. Don Ditter made it from 1974 to 1986. John Duval made it between 1986 and 2002. Peter Gago took over as the chief Penfolds winemaker in July 2002. Originally trained as a science-and-math teacher, he taught and was a school administrator for nearly nine years.

Henschke’s Hill of Grace. The highly revered and much sought-after Hill of Grace is the pinnacle of the red wines — but another shiraz first made by Cyril, the Mount Edelstone, and the Cyril Henschke Cabernet Sauvignon introduced by Stephen as a tribute to his father — have forged their own niche with red wine lovers the world over.

- Margaret River, Leeuwin Estate etc
Young Aussie winemakers moving out in the 1970s, mirroring the amateur development of northern California. Keith Mugford, of Moss Wood, remembers hearing the results of the Paris Tasting while a student at the Roseworthy winemaking programme at the University of Adelaide. That convinced him that great wine could be made outside of France and inspired him to try to do it in Margaret River. In December 1978, he visited Napa Valley, whose winemakers explained their philosophies of bringing balance and complexity to Cabernet Sauvignon. In the 1970s and early 1980s, he was part of a group of about two dozen Margaret River winemakers who got together once a month in Perth to sample some of the world’s great wines. Just as Napa Valley winemakers had done in the 1960s, the Australians a decade later tasted great wines — now from France and California — and then tried to match them in what would become a period of great experimentation and sharing of winemaking experience.

In 1980, Leeuwin Estate bottled its first Chardonnay, the wine that has made it famous around the world.

- Stellenbosch, South Africa

- Pinhao, Portugal
Luper’s Quinta da Carolina.

- Puente Alto, Chile
Just as Australia before it, Chile has a laser focus on exports. Exports grew from $9 million in 1984 to $267 million in 2000. The leader is Concha y Toro, with Almaviva. Tasted side by side, anyone can note the difference between a Mouton Rothschild and an Almaviva. A Mouton is more tannic and the flavours more intense than an Almaviva of the same vintage. To be best appreciated, the Mouton is best enjoyed at least five years after its vintage, perhaps even longer. The Almaviva reaches its peak more quickly and can be enjoyed earlier

- Willamette Valley, Oregon
Eyrie Vineyards. David Lett’s Pinot Noir. Domaine Drouhin.

- France again
Marcel Guigal

The most important part of the global market, where the coming battle will be fought, is in the $10-$20 range.

Goodness me, I’m turning obsessive.

*

“What has impressed me most about the great wines of the world — aside from the immense pleasure of drinking them — is the deeply rooted, fiercely held philosophies of the people who create them. The great winemakers I have met invariably possess a clear concept in their minds — before the first grape is picked — of what their wines should be. It’s a vision that places terroir over technology, and grape quality over quantity. Their wines are great because they share a dedication to producing intense, concentrated wines that proudly proclaim their heritage.”

- Dr Loosen

I basically cut my teeth on Aussie Rieslings before I really got this wine bug. We would have flasks of chilled Rieslings for picnics with emping chips, and curries, and Thai dinners. Riesling remains the most versatile white in the world, the truest conduit for the expression of place and simply an immensely enjoyable wine.

The hills east and north of Barossa, Eden Valley and Clare Valley have fine-tuned their Rieslings to take on the Fatherland. Hugh Johnson compares Riesling to a fine instrument, he says, that “sings in such different keys with the same lyrical voice”.

To try: Clare Valley Rieslings (Polish Hill, Mount Horrocks), Eden Valley Rieslings (Yalumba, Seppelt)

The Rheingau, where the great institutions were abbayes and their successors aristocrats, compared to the Medoc. The wine is a tougher proposition than the bracing freshness of the Moselle and the plump cushion of the Pflaz. The 1540 Steinwein, which was most definitely alive, and that life ticked over quietly for longer than the life of any creature.

Egon Müller, Scharzhofberger Riesling Spätlese 2005 Saar

Alsace: Hugel’s Vendanges Tardives, Trimbach (steely dry Rieslings), Clos des Capucins Gewurztraminer Reserve.

*

Austria: Langerlois Gruner Veltliner

Inspired!

Sunday, April 12th, 2009

Onwards

Photo: forgotten where I snitched it from. Note to self: note where I get these photos so I can credit them properly.

READING about Robert Mondavi, and I’m so inspired! Superb winemakers who are open and hungry and eager to learn, people with the guts to put Napa Valley on the world map of great wines, who cut the way for the other New World winemakers to go up against the best of Burgundy and Bordeaux.

And how you respect terroir, or soil and climate, with the art of wine today being a blend of science and technology and the art and intuition of the wine maker. But the essence of great wine remains terroir, expressing the best that the land has to offer.

And it’s interesting that the vines that are stressed produce the best berries. There’s so much to learn about wine! Opus One will actually be here for the World Gourmet Summit, but tickets have been snapped up.

In these stories are lessons on life, on family, on business too. How you give your best to whatever field you’ve chosen, and give it heart and soul and expertise and vision.

*

Of course I’m not going to go all sentimental about wine — most budget wine is as much an industrial product as most beers.

But there’s a bit of magic in it. Hugh Johnson wrote:

Proust had his madeleine, and I have my claret. And burgundy and champagne and Moselle and Chianti and Coonawarra. Every bottle, every glass of wine connects with bottles and glasses that went before, leads back in memory, forwards in anticipation and sideways in reverie…

Wine is first and foremost a social game; only secondarily an interest like music or collecting. It is about human relations, hospitality, bonding, ritual…all the manoeuvres of social life — and all under the influence, however mild and benign, of alcohol.

*

Watched The Importance Of Being Earnest with H, enjoyed it, with the music by T’ang Quartet. A fun production, a bit over the top, but enjoyable as Wilde is. And a nice afternoon browsing in second-hand bookstores, and then going for tea at my favourite tea place.

*

There’s going to be a lot of work ahead, but I’m raring to go. Reading Hugh Kenner and David Harvey — that’s the kind of scholarship I want to work towards. And I want to teach, and to teach well. Pruning my interests: so far I have to work on the languages, prepare for the GREs, do some calligraphy at least once every two days, keep up with the exercise.

Interest is not enough — you must give the work passion, and put the best of what you have into it.

Rhythm, harmony, melody, tone colour

Thursday, April 9th, 2009

BEETHOVEN’S Fifth: it opens with just two clarinets against the strings — the darker coloration with the strings, for that note of sonority. I’ve never heard the clarinets till now. It would be too bright with the brass, and wouldn’t seem as powerful, with dynamics that important part of tone colour.

Why do we listen, and go to concerts? We can probably find ourselves somewhere here, among the characters of E. M. Forster’s Howard’s End:

Whether you are like Mrs. Munt, and tap surreptitiously when the tunes come—of course not so as to disturb the others; or like Helen, who can see heroes and shipwrecks in the music’s flood; or like Margaret, who can only see the music; or like Tibby, who is profoundly versed in counterpoint, and holds the full score open on his knee; or like their cousin, Fräulein Mosebach, who remembers all the time that Beethoven is “echt Deutsch”; or like Fräulein Mosebach’s young man, who can remember nothing but Fräulein Mosebach: in any case, the passion of your life becomes more vivid, and you are bound to admit that such a noise is cheap at two shillings.

Rhythm, harmony, melody, tone colour, originality.

Things I’m grateful to have grown up with, or that found me early: Books, tea, music, Chinese. Appreciation for them only deepens with time. It’s a neverending journey, interesting and rich, with neverending complexities to appreciate. Such pleasure, too, though you can be as intellectual and rigorous with it as you want. Once your curiosity’s whetted it goes on, and it goes on. How can anyone be bored with life when there are your own versions of these passions to learn about?

Doors open, worlds, for those of us who were touched by some Damscene moment, or are lucky enough to have parents or teachers or friends who opened our eyes to things. And because they’ve taught you well, because you begin to see, then hunger, you learn that the ability to love something this much and this deeply makes a difference in who you are. And this is why I feel so passionately about education, because every child should have access to these things.

From T a long time back:

“Those were also the days where my teacher really opened my ears to music, we listened to music together, score in hand, ears glued to the music that filled the air. She lent me scores, books, CDs, and even gave me her entire (a few hundred!) cassette collection of recorded music from the library in the Royal College when she was there, because she claimed since she was going into CDs, the she didn’t need the cassettes any more. I think it’s this gesture of generosity, of how much she really cared for my musical education, of the potential she had seen in me, that made me feel the way I do for music today. And maybe subconsciously it’s why I feel ever so strongly to share this passion with everyone I know….I still love music. I love it so I want to create it, to create the sounds that I have in my head. That’s why I still play. I love it so I want to share it. That’s why I go round like a crazed idiot at times insisting that people listen to this and that. I love it that in spite of all my obvious failings as a musician, of all my self-doubts, I try to ignore them to keep my passions alive. Music is beyond exams, beyond competition, beyond being a profession. Music is an art, and with it comes all the wonderful implications that art brings with it. It’s about feeling, about thought, about passion, about reason, about life, about death, about rebirth. It’s about being human. And if I had to discover it the painful way, I’m glad that at least I was lucky enough to do so.”

Things that came to me later, but are so exciting to discover: Calligraphy and other visual art, movies, wine & beer, other languages. And the vocabulary is richer — the analogies — this is the stuff life is made of.

And there’s no other way than to plunge head in. You learn appreciation for music by listening, by going for concerts, by research — you learn wine and tea by tasting everything you get your hand on and enjoying it and then thinking about it — you run a marathon by, well, running.

The richness of it all, the artistry and balance, the balance between desire and intellectuality: South American tango, 冻顶乌龙, Mosel Rieslings, Cloud Gate dancers. Life is good!

*

Fun wine to try: Brown Brother’s Tarrango for the poolside bbq.

喝酒

Wednesday, April 8th, 2009

GOT some help from a friend who knows wines, and reading people such as Jancis Robinson. Fascinating stuff. This started when I first met N, who talked so eloquently of her love of wine, and spending time in the vineyards. Then Jancis Robinson has such a compelling story of how a burgundy changed her life when she was out for a meal in Oxford where she was studying maths and philosophy, and watching her BBC series on wine got me fascinated.

It’s a delicious, varied and complex drink, speaking of places, of people, of terroir. And it’s so exciting to see how the old world and no-nonsense new world producers compete, of the traditions, of the science, of the pioneering spirit and how the wine tradition takes root. At the heart of it, making wines to give people pleasure. To sell happiness. Wine that’s a good moment in people’s lives.

Love. It. Love the stories.

- Chablis:
Chablis Grand Cru Grenouille 2001 La Chablisienne

From Robinson:

“Burgundy’s white wine outpost is one of France’s most northern and it is hardly surprising therefore that the wines are naturally relatively sinewy, high in acidity and steely rather than luscious and oaky. This is an archetypally refreshing, long-lived style of white wine which very few wine regions, possibly none other than Chablis, can produce.

We Chablis enthusiasts treasure the purity of flavour, the modest dimensions and the rapier-like effect on the palate of the region’s better examples, and cannot understand how the word Chablis ever came to be used, particularly in the United States, for sweetened up blends of the most basic white.

Chablis comes in four very distinct quality levels. Petit Chablis is the principal, often vapid, product of the plantings on the outskirts of Chablis proper undertaken when the Chablis growers found they were unable to keep up with international demand. Most wine produced around the pretty little village of Chablis qualifies for the straightforward Chablis appellation, which can vary considerably in quality (beware of Chablis bottled outside the region) but should usually be drunk young. Some particularly well-sited vineyards, comprising about a quarter of total Chablis production, are designated Chablis Premier Cru and represent some of the district’s most reliable buys. The very best vineyards are on the west-facing hill immediately above the village and qualify as Chablis Grand Cru. These are the vineyards, particularly Les Clos, that have made Chablis’ reputation as offering a remarkable combination of refreshment and longevity.

Grand Cru and some of the best Premier Cru Chablis can improve in bottle for more than a decade. Indeed its extra acid can make top-quality Chablis a better candidate for ageing than many Côte d’Or whites. But such wines can sometimes smell almost dirty in youth, or if not dirty then at least reminiscent of wet wool or dogs. Wet stones is what I like to smell from young Chablis.

St-Bris is regarded administratively as part of greater Chablis but the razor-sharp style of this Sauvignon Blanc is pure Loire in taste.

Some favourite producers: La Chablisienne co-operative’s top bottlings, Dauvissat, Defaix, Droin, Laroche, Louis Michel, Christian Moreau, René et Vincent Raveneau.”

*

And oh, the story of Cloudy Bay Sauvignon Blanc! The stuff novels are made of.

“Not too long ago, in a faraway place now best known as Middle Eart, a wine was born. New Zealand Sauvignon Blanc appeared suddenly, as if it had sprung fully formed from Zeus’ head, and in the past decade it has taken its place alongside Barossa Shiraz and Napa Cabernet as a kind of instant classic.”

In 1985, David Hohnen, owner of Cape Mentelle Vineyards in the Margaret River region, flew to New Zealand, convinced that the cool climate of the South Island could produce great Sauvignon Blanc. In fact, Montana, a big company based on the North, had already ventured there to plant Sauv in Marlborough in ‘76, and its early bottlings were promising. Hohnen met winemaker Kevin Judd, hired him on the spot, and bought land in the Marlborough district, on the northeast corner of the island. Within a year the first vintage of Cloudy Bay Sauvignon Blanc, made from locally purchased grapes, was creating a buzz and winning prizes in Australia and the United Kingdom.

Within a decade Cloudy Bay has spawned numerous imitators and had helped create a new style of wine. For some reason, Sauvignon Blanc grown in cool, sunny Marlborough tastes like nothing else — certainly not like the lean, stony, lemony Sauvignons from Sancerre and Pouilly-Fume. These Marlborough Sauvignons are fruit cocktails suggestive of lime, mango, grapefruit, and, especially for those who have encountered them, gooseberries. What holds it all together is a wire-mesh foundation of acidity that comes from the long, cool growing season in this marginal climate.

Chardonnay also does well in marlborough, producing lean, racy versions. The most exotic Chardonnay seems to come from the warmer North Island — Kumeu River Wines, for instance.

*

Got some bottles of Chimay Rouge with me if anyone wants to come over for a drink. I’m actually drinking it out of the goblet now, with its lovely bittersweet aftertaste, yeasty goodness and dark nutty fruit flavours. Douce mais solide.

There’s the strong taste of malt, which gives way to the subtler fruity flavours that make the beer so distinctive. There’s also caramel and honey as it’s slightly sweet and the more the drink warms the more flavours and aromas become apparent. It’s soft and smooth drink, with a crisp fizz to it, and leaves a dry fruity aftertaste in the mouth.

Taste

Monday, April 6th, 2009

SPEAKING of C.S. Lewis, Spufford writes:

“A deeply carnal individual, Lewis always imagined heaven in carnal, you might say hypercarnal, terms. It was not just the place where we will encounter immortal love, and see the true stars shine by comparison with which the stars of our own familiar sky are dim, sad glowworms. It was also the home of the immortal sausage, more brown, more popping, more savoury in its skin than the shadow sausages we know now; of immortal beer, and immortal tobacco, and all the other things lewis enjoyed. It was the place where feeling would reach its fruition, its consummation. there, when you did the Keatsian thing, and burst joy’s grape against your palate fine, a hand grenade of true grapishness would go off in your mouth, and send its total message of cool pale green flesh, sweet yet acidic, to overwhelm every nerve in your body.”

*

Oh yesss! :))_)))) I’m ecstatic. I’ve debugged Wordpress so it can display Chinese characters again! I’ve missed blogging in Chinese!!

I’ve been talking to oenophile friends, and am feeling inspired to learn more, to make full use of all the senses. I’ve started drinking my stash of Chinese tea again. Like wine, tea has its own traditions, rituals, trivia, and communities. There are “vintage” teas, and teas that are sourced from a single tea estate. There are different flushes. There are various brewing methods and vessels and and tea cultures to familiarise oneself with. And collecting tea and teaware can be just as fun as stocking a wine cellar and acquiring specialized stemware.

Am sipping my 铁观音 (tie guan yin) now, and greatly enjoying it a lot.

我能算是个茶罐子, 现在在喝安溪铁观音。

铁观音最迷人的地方就是其高扬的兰花香,我们所说的兰花香其实只是一种类似兰香的特殊茶香、给人以很深刻的印象。但是,并不是所有铁观音茶都会有兰花香,只有少数制作成功的优质产品才会出现明显而馥郁的兰香 — 一般来说,常见的兰花香有两种风格:一为尖锐、霸气,具有很强的冲力,刚性十足,令人印象极深,普遍被茶友作为衡量产品是否高档铁观音的基准,这类茶基本上都属于轻发酵制法;但它的缺陷是产品的回韵可能不会特别绵长,而且也比较容易出现强苦味。

  另一种为高雅、含蓄,但清幽的兰香也非常明显,显得具有阴柔性、渗透力强,其优胜之处在于茶汤口感较有亲和力,茶汤回韵十足–当然,这并不是绝对的。

  这两种风格不同的兰花茶香其实并没有什么高下之分,二者只不过分别属于不同风格流派而已、可视为同一个质量等级。


口感:

  毫无疑问,品饮口感是衡量铁观音品质的第二个关键指标。品饮口感可以包括这几个方面:入口亲和力(苦、涩还是香纯)、口中感受(让茶汤在口腔流动、仔细感觉,是否会有什么放大的缺陷,所指主要为苦、涩、粗)与吞咽感受(滑口还是会有阻滞感)。

入口亲和力:

  虽说好茶不怕苦,但要是太苦的话无疑让人难以接受,但微有苦感还是可以接受的;几乎无苦亲和力更佳;而涩感是最为忌讳的,好茶怕涩–如果又苦又涩,这种茶质量绝对劣等;优质产品应该无苦或微苦、无明显涩感。茶汤入口,感觉茶香四溢,给人甘醇之感,此为好茶第一要素也。

口中感受:

  茶汤入口后,先不急于入腹,可在口中轻转,让茶水流遍整个口腔,让所有味觉神经仔细感受,这个时候,茶的优点和缺点都会被放大,如果品饮好茶,会让人觉得妙不可言、口中满扬茶香;倘若苦涩明显,则会进一步放大;另外,不少铁观音会有一种粗感,就是感觉口中某处仿佛被蒙上粗粗的一层(一般为舌头、舌根部),如果粗感不明显且短时间消失,那么应该无妨;但如果粗感强且经久不退,便会令人感觉不适,这也难成好茶。

吞咽感受:

  茶汤滑口还是有阻滞感往往可以在吞咽时感受,高档铁观音茶汤要求滑口、吞咽时毫不拖泥带水,感觉瞬时入腹,干净利落;而阻滞感强的茶汤在入喉时就没有此等美妙体验了,一般会觉得微有粗糙感,此类茶也难有高等级。

回甘回韵

  回甘回韵是铁观音最迷人的特性之一,好茶回甘绵长、数小时内仍然齿颊生香,令人大呼美妙!然而,铁观音的回甘回韵有多种风格:

回甘:

  不管是轻发酵茶还是中发酵茶,优质产品在饮后都会立刻喉头泛甘、而后上升扩散到整个口腔,经久不退;但回甘有强有弱、有短有长,一般来说,回甘强则优,但只要可明显感觉出来即可,这种回甘给人感觉是非常自然的;关键在于持久度如何–有些铁观音,茶香、口感等指标都表现不错,但是回甘时间短,基本上喝完就完了,此种茶的等级也不会高到哪去。

回甜:

  优质的中发酵铁观音会有非常明显的回甜味,然轻发酵产品就不会有此项特色;回甜与回甘同时生成,给人以醇厚之感,这正是传统观音的迷人之处;但现在优质中发酵产品很少,大家不必苛求,知道即可。

生津:

  好茶饮后会有明显的生津效果,即便饮完数个小时、口中之津仍是源源而出、令人感觉十分之美妙,但不是所有茶都这样,只有少数品质好的产品才会有此表现;品质越好,生津时间约为持久 — 倘若有幸品饮到货真价实铁观音王,你便会发现在饮完数个小时之后,口中都是甘香存留、津液滋生,初接触此茶,多半是久久都难以忘怀…

Reasons for happiness

Saturday, April 4th, 2009

- Yummy Chimay red with moules frites. I do love Chimay Rouge, it’s a rich, sweet, well-balanced beer from the Trappist monks in Belgium.
- Brahms piano trios on the stereo
- Authentic izakaya experience. Good company over drinks. We laughed and laughed over SQ’s stories of nationalities and girls.
- Kazu’s scallops, eggplant, mushrooms, gyu tongue etc etc…mmmm….
- Smelling good
- Mixing and mingling friends: I love it when they hit it off with one another
- Meeting fellow bibliolatrous folk. A heap of books to read. I want that new Vintage translation of War And Peace.
- Work, work, work
- Learning more about beer and wine at the bookstore and by talking with friends.
- Identifying and dating literary works, sigh, I have to plough through the American writers.
- Long letters and picture postcards