
Image © Le Thanh Son
BOYS and girls, I exhort you to read The Rings of Saturn by Sebald.
*
J. wrote: “I can’t stand for that now after the love and friendship I’ve known, which so many of you have taught me. As my friend so rapturously described: those who are as sparklingly intelligent and intellectual as they are warm and kind and grounded, who know just when to push me to laugh and let go and find perspective and when just to offer a kind, reassuring ear and shoulder. Those who accept you as you are and do not judge, who love you for the person you are and also for the person you want to be, rather than the one they want you to be.”
M.:”What’s a heart for if you can’t give it away?”
“You know you’re good, and good enough. You know it’s worthwhile. Go on!”
Thank you, you know who you are.
Doing more, thinking less.
Much fun and laughter at Lagnaa, reading Eavan Boland and Tang poetry at Kino (I love the sense of space, of looking out across a broad landscape, in many of the old Chinese poems. If I’m to make a living out of comparative literature I’d better brush up my classical Chinese), Arab Street at night, enjoying the eye-candy and being a general magpie at the make-up counters, sewing books — booklets, to be more accurate.
And isn’t that exciting? That I can make my future out of comparative literature. Those days when I learnt German just to read Rilke and Kant. It seems so much closer now that I can buy. myself. out of the bond.
One day I’ll be back in university, and in the meantime there’s reading and beginning, haltingly, to write again.
*
Time And Violence
by Eavan Boland
The evening was the same as any other.
I came out and stood on the step.
The suburb was closed in the weather
of an early spring and the shallow tips
and washed-out yellows of narcissi
resisted dusk. And crocuses and snowdrops.
I stood there and felt the melancholy
of growing older in such a season,
when all I could be certain of was simply
in this time of fragrance and refrain,
whatever else might flower before the fruit,
and be renewed, I would not. Not again.
A car splashed by in the twilight.
Peat smoke stayed in the windless
air overhead and I might have missed it:
a presence. Suddenly. In the very place
where I would stand in other dusks, and look
to pick out my child from the distance,
was a shepherdess, her smile cracked,
her arm injured from the mantelpieces
and pastorals where she posed with her crook.
Then I turned and saw in the spaces
of the night sky constellations appear,
one by one, over roof-tops and houses,
and Cassiopeia trapped: stabbed where
her thigh met her groin and her hand
her glittering wrist, with the pin-point of a star.
And by the road where rain made standing
pools of water underneath cherry trees,
and blossoms swam on their images,
was a mermaid with invented tresses,
her breasts printed with the salt of it and all
the desolation of the North Sea in her face.
I went nearer. They were disappearing.
Dusk had turned to night but in the air –
did I imagine it? — a voice was saying:
This is what language did to us. Here
is the wound, the silence, the wretchedness
of tides and hillsides and stars where
we languish in a grammar of sighs,
in the high-minded search for euphony,
in the midnight rhetoric of poesie.
We cannot sweat here. Our skin is icy.
We cannot breed here. Our wombs are empty.
Help us to escape youth and beauty.
Write us out of the poem. Make us human
in cadences of change and mortal pain
and words we can grow old and die in.